| Summary: | The article deals with the phonostylistic and semantic features of acoustic images in the early realist stories of Alexander Grin. The conclusion is made about their important compositional role. Attention is focused on vocabulary with acoustic semantics, as well as onomatopoeia understood as the imitation of both the sound and its meaning. The functions of sound polyphony in the depicting of landscapes and emotional states and in the plot structure are discussed. The role of alliteration, the temporal characteristics of acoustic images, a combination of autologous and associative images, and variable functionality of remarks in dialogs are described. The prosodic features of the narrative are analyzed. The motifs of silence and music and their role in the semantic structure of Grin’s stories are noted.
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