A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad

Although television conflict reporting has usually been limited by risks to journalists’ safety, the death throes of Baathist Iraq in April 2003 provided viewers with a unique opportunity to vicariously witness the fall of a large modern city.  Yet if the iconic moment of the Second Gulf War came w...

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Bibliographic Details
Main Author: Stephen Ellmers
Format: Article
Language:English
Published: Pacific Media Centre 2018-07-01
Series:Pacific Journalism Review
Subjects:
Online Access:https://ojs.aut.ac.nz/pacific-journalism-review/article/view/47
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spelling doaj-44075965d30e4673b0c1534fe8d436882020-11-25T03:52:43ZengPacific Media CentrePacific Journalism Review1023-94992324-20352018-07-0124110.24135/pjr.v24i1.47A tale of two statues: Contemporary conflict reporting constraints and the Battle of BaghdadStephen Ellmers0UNITEC NZ Although television conflict reporting has usually been limited by risks to journalists’ safety, the death throes of Baathist Iraq in April 2003 provided viewers with a unique opportunity to vicariously witness the fall of a large modern city.  Yet if the iconic moment of the Second Gulf War came when Saddam Hussein’s statue in Firdos Square was toppled, then it was at the expense of another image event which unfolded earlier a short distance away.  Because the US military’s violent destruction of the equestrian statue close to the ‘Hands of Victory’ monument better encapsulates the conflict than the sterile bloodless ‘cakewalk’ description it’s usually labelled with.  This article shows how the tale of these two statues is also in some ways the tale of two Fox News correspondents, and how an alienation from military service conditions and methods can leave reporters and their audiences with no sense of what the participants on their screens endured in order to reach Baghdad; or what they had also inflicted upon others. In retrospect, the circumstances which allowed one Fox reporter to provide the world with what might have been its first taste of live, unedited combat footage seem more like an accidental success than the result of systemic best practices. Especially when this network and even its most credible host remain committed to ensuring a particular partisan perspective dominates all their broadcasts. https://ojs.aut.ac.nz/pacific-journalism-review/article/view/47best practicecombat footagecombat reportingIraqmilitaryOperation Iraqi Freedom
collection DOAJ
language English
format Article
sources DOAJ
author Stephen Ellmers
spellingShingle Stephen Ellmers
A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad
Pacific Journalism Review
best practice
combat footage
combat reporting
Iraq
military
Operation Iraqi Freedom
author_facet Stephen Ellmers
author_sort Stephen Ellmers
title A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad
title_short A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad
title_full A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad
title_fullStr A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad
title_full_unstemmed A tale of two statues: Contemporary conflict reporting constraints and the Battle of Baghdad
title_sort tale of two statues: contemporary conflict reporting constraints and the battle of baghdad
publisher Pacific Media Centre
series Pacific Journalism Review
issn 1023-9499
2324-2035
publishDate 2018-07-01
description Although television conflict reporting has usually been limited by risks to journalists’ safety, the death throes of Baathist Iraq in April 2003 provided viewers with a unique opportunity to vicariously witness the fall of a large modern city.  Yet if the iconic moment of the Second Gulf War came when Saddam Hussein’s statue in Firdos Square was toppled, then it was at the expense of another image event which unfolded earlier a short distance away.  Because the US military’s violent destruction of the equestrian statue close to the ‘Hands of Victory’ monument better encapsulates the conflict than the sterile bloodless ‘cakewalk’ description it’s usually labelled with.  This article shows how the tale of these two statues is also in some ways the tale of two Fox News correspondents, and how an alienation from military service conditions and methods can leave reporters and their audiences with no sense of what the participants on their screens endured in order to reach Baghdad; or what they had also inflicted upon others. In retrospect, the circumstances which allowed one Fox reporter to provide the world with what might have been its first taste of live, unedited combat footage seem more like an accidental success than the result of systemic best practices. Especially when this network and even its most credible host remain committed to ensuring a particular partisan perspective dominates all their broadcasts.
topic best practice
combat footage
combat reporting
Iraq
military
Operation Iraqi Freedom
url https://ojs.aut.ac.nz/pacific-journalism-review/article/view/47
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