Paisiello’s 'La frascatana': Dramaturgical transformations on its journey through Central Europe
During the second half of the eighteenth century, the Italian opera buffa successfully spread all over Europe. The works were often adapted to suit not only the new performers but also the respective cultural context. This is also true of one of the most popular comic operas of the period, 'La...
Main Authors: | Ingrid Schraffl, Marc Niubo |
---|---|
Format: | Article |
Language: | English |
Published: |
Österreichische Gesellschaft für Musikwissenschaft
2017-01-01
|
Series: | Musicologica Austriaca |
Subjects: | |
Online Access: | http://www.musau.org/parts/neue-article-page/view/30 |
Similar Items
-
Italian Opera in Vienna in the 1770s: Repertoire and Reception – Data and Facts
by: Ingrid Schraffl
Published: (2020-06-01) -
Opera buffa und Spielkultur : Eine spieltheoretische Untersuchung am Beispiel des venezianischen Repertoires des späten 18. Jahrhunderts
by: Schraffl, Ingrid
Published: (2014) -
A comparative study of "Le Barbier de Seville", the original play, and the two operas, "Il Barbiere di Siviglia" by Giovanni Paisiello and Goachino Rossini
by: Little, Ricky Ricardo
Published: (1985) -
Courtly Representation Play, Singspiel, Opéra Comique. On the Reception of Antonio Sacchini’s 'L´isola d´amore'
by: Martina Grempler
Published: (2015-06-01) -
Kreuz und quer: Händel und Rossini, Paisiello und Paer
by: Schröder, Gesine
Published: (2010)