The aesthetics of archive in Gerhard Richter’s Artlas: the artistic practice without an horizon of waiting
<p>The present article approaches the Atlas of photographs, collages and sketches of Gerhard Richter from the logics of archival aesthetics. For this, the tradition of the atlases is studied in its documentary aspect and how its artistic production has to do with the multiplicity of readings,...
Main Author: | Víctor Murillo Ligorred |
---|---|
Format: | Article |
Language: | English |
Published: |
SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada
2019-06-01
|
Series: | SOBRE. Prácticas artísticas y políticas de la edición |
Subjects: | |
Online Access: | https://revistaseug.ugr.es/index.php/sobre/article/view/7190 |
Similar Items
-
Agència, imatges i índex en les fotopintures de Gerhard Richter: els quadres com a artefactes visuals
by: Víctor Murillo Lígorred
Published: (2018-07-01) -
Gerhard Richter’s Critical Artistic Strategies: Politics, Terrorism and War
by: Van Schepen Randall K.
Published: (2017-08-01) -
(Dis)Figuration of Memory In, Around, and Beyond Gerhard Richter's Atlas: Between Photography, Abstraction, and the Mnemonic Construction
by: Mesquita Duarte, Miguel
Published: (2018-10-01) -
A Network of Themes: A Qualitative Approach to Gerhard Richter's Text
by: Narvika Bovcon, et al.
Published: (2017-07-01) -
El Atlas de Gerhard Richter
by: Francesco Giaveri
Published: (2012-01-01)