Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.

<p dir="ltr"><span>The purpose of this research is the analysis of a specific cultural and political tension, through two decisive concepts: imagocracy and imagomaquia. Our aim is to define the political battlefield in the arena of audiovisual communication. In the case of Lati...

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Main Authors: Miguel Alfonso Bouhaben, Jorge Polo Blanco
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2020-07-01
Series:Las Torres de Lucca
Subjects:
Online Access:http://lastorresdelucca.org/index.php/ojs/article/view/376
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spelling doaj-436f2d0184354112bb6dba71ee5f62302020-11-25T03:59:23ZengUniversidad Complutense de MadridLas Torres de Lucca2255-38272020-07-01917265292205Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.Miguel Alfonso Bouhaben0Jorge Polo Blanco1Escuela Superior Politécnica del Litoral, GuayaquilEscuela Superior Politécnica del Litoral, Guayaquil<p dir="ltr"><span>The purpose of this research is the analysis of a specific cultural and political tension, through two decisive concepts: imagocracy and imagomaquia. Our aim is to define the political battlefield in the arena of audiovisual communication. In the case of Latin America, we have identified two significant moments, in which the popular audiovisual strategies had crucial importance. Our material of research has been both the New Latin American Cinema and the sociology of the decolonial image. We have studied them in depth in order to define the effectiveness of popular audiovisual strategies as nuclei of creation and aesthetic-political resistance, which opposes the hegemonic audiovisual order.</span></p><div><span><br /></span></div>http://lastorresdelucca.org/index.php/ojs/article/view/376imagocracia, imagomaquia, cultura popular, nuevo cine latinoamericano, teoría decolonial, sociología de la imagen
collection DOAJ
language English
format Article
sources DOAJ
author Miguel Alfonso Bouhaben
Jorge Polo Blanco
spellingShingle Miguel Alfonso Bouhaben
Jorge Polo Blanco
Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
Las Torres de Lucca
imagocracia, imagomaquia, cultura popular, nuevo cine latinoamericano, teoría decolonial, sociología de la imagen
author_facet Miguel Alfonso Bouhaben
Jorge Polo Blanco
author_sort Miguel Alfonso Bouhaben
title Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
title_short Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
title_full Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
title_fullStr Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
title_full_unstemmed Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
title_sort imagocracy and imagomaquia. a critical reflection on the relations between audiovisual communication and popular culture in latin america.
publisher Universidad Complutense de Madrid
series Las Torres de Lucca
issn 2255-3827
publishDate 2020-07-01
description <p dir="ltr"><span>The purpose of this research is the analysis of a specific cultural and political tension, through two decisive concepts: imagocracy and imagomaquia. Our aim is to define the political battlefield in the arena of audiovisual communication. In the case of Latin America, we have identified two significant moments, in which the popular audiovisual strategies had crucial importance. Our material of research has been both the New Latin American Cinema and the sociology of the decolonial image. We have studied them in depth in order to define the effectiveness of popular audiovisual strategies as nuclei of creation and aesthetic-political resistance, which opposes the hegemonic audiovisual order.</span></p><div><span><br /></span></div>
topic imagocracia, imagomaquia, cultura popular, nuevo cine latinoamericano, teoría decolonial, sociología de la imagen
url http://lastorresdelucca.org/index.php/ojs/article/view/376
work_keys_str_mv AT miguelalfonsobouhaben imagocracyandimagomaquiaacriticalreflectionontherelationsbetweenaudiovisualcommunicationandpopularcultureinlatinamerica
AT jorgepoloblanco imagocracyandimagomaquiaacriticalreflectionontherelationsbetweenaudiovisualcommunicationandpopularcultureinlatinamerica
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