Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.
<p dir="ltr"><span>The purpose of this research is the analysis of a specific cultural and political tension, through two decisive concepts: imagocracy and imagomaquia. Our aim is to define the political battlefield in the arena of audiovisual communication. In the case of Lati...
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad Complutense de Madrid
2020-07-01
|
Series: | Las Torres de Lucca |
Subjects: | |
Online Access: | http://lastorresdelucca.org/index.php/ojs/article/view/376 |
id |
doaj-436f2d0184354112bb6dba71ee5f6230 |
---|---|
record_format |
Article |
spelling |
doaj-436f2d0184354112bb6dba71ee5f62302020-11-25T03:59:23ZengUniversidad Complutense de MadridLas Torres de Lucca2255-38272020-07-01917265292205Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America.Miguel Alfonso Bouhaben0Jorge Polo Blanco1Escuela Superior Politécnica del Litoral, GuayaquilEscuela Superior Politécnica del Litoral, Guayaquil<p dir="ltr"><span>The purpose of this research is the analysis of a specific cultural and political tension, through two decisive concepts: imagocracy and imagomaquia. Our aim is to define the political battlefield in the arena of audiovisual communication. In the case of Latin America, we have identified two significant moments, in which the popular audiovisual strategies had crucial importance. Our material of research has been both the New Latin American Cinema and the sociology of the decolonial image. We have studied them in depth in order to define the effectiveness of popular audiovisual strategies as nuclei of creation and aesthetic-political resistance, which opposes the hegemonic audiovisual order.</span></p><div><span><br /></span></div>http://lastorresdelucca.org/index.php/ojs/article/view/376imagocracia, imagomaquia, cultura popular, nuevo cine latinoamericano, teoría decolonial, sociología de la imagen |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Miguel Alfonso Bouhaben Jorge Polo Blanco |
spellingShingle |
Miguel Alfonso Bouhaben Jorge Polo Blanco Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America. Las Torres de Lucca imagocracia, imagomaquia, cultura popular, nuevo cine latinoamericano, teoría decolonial, sociología de la imagen |
author_facet |
Miguel Alfonso Bouhaben Jorge Polo Blanco |
author_sort |
Miguel Alfonso Bouhaben |
title |
Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America. |
title_short |
Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America. |
title_full |
Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America. |
title_fullStr |
Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America. |
title_full_unstemmed |
Imagocracy and Imagomaquia. A Critical Reflection on the Relations Between Audiovisual Communication and Popular Culture in Latin America. |
title_sort |
imagocracy and imagomaquia. a critical reflection on the relations between audiovisual communication and popular culture in latin america. |
publisher |
Universidad Complutense de Madrid |
series |
Las Torres de Lucca |
issn |
2255-3827 |
publishDate |
2020-07-01 |
description |
<p dir="ltr"><span>The purpose of this research is the analysis of a specific cultural and political tension, through two decisive concepts: imagocracy and imagomaquia. Our aim is to define the political battlefield in the arena of audiovisual communication. In the case of Latin America, we have identified two significant moments, in which the popular audiovisual strategies had crucial importance. Our material of research has been both the New Latin American Cinema and the sociology of the decolonial image. We have studied them in depth in order to define the effectiveness of popular audiovisual strategies as nuclei of creation and aesthetic-political resistance, which opposes the hegemonic audiovisual order.</span></p><div><span><br /></span></div> |
topic |
imagocracia, imagomaquia, cultura popular, nuevo cine latinoamericano, teoría decolonial, sociología de la imagen |
url |
http://lastorresdelucca.org/index.php/ojs/article/view/376 |
work_keys_str_mv |
AT miguelalfonsobouhaben imagocracyandimagomaquiaacriticalreflectionontherelationsbetweenaudiovisualcommunicationandpopularcultureinlatinamerica AT jorgepoloblanco imagocracyandimagomaquiaacriticalreflectionontherelationsbetweenaudiovisualcommunicationandpopularcultureinlatinamerica |
_version_ |
1724454362260963328 |