Documentary images:aesthetic subjectivities e apolitical

This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, th...

Full description

Bibliographic Details
Main Author: Denize Correa Araujo
Format: Article
Language:Spanish
Published: Universidade Estadual de Londrina 2014-12-01
Series:Discursos Fotográficos
Subjects:
Online Access:http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793
id doaj-42f055fed38a4a97b37c017cd338d0f9
record_format Article
spelling doaj-42f055fed38a4a97b37c017cd338d0f92020-11-24T22:36:38ZspaUniversidade Estadual de LondrinaDiscursos Fotográficos1808-56521984-79392014-12-0110178711610.5433/1984-7939.2014v10n17p8711330Documentary images:aesthetic subjectivities e apoliticalDenize Correa Araujo0Universidade Tuiuti do Paraná - UTPThis study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others.http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793Palavras-chave: DitadurasImagens documentaisMemória-metamorfoseFactualidade.
collection DOAJ
language Spanish
format Article
sources DOAJ
author Denize Correa Araujo
spellingShingle Denize Correa Araujo
Documentary images:aesthetic subjectivities e apolitical
Discursos Fotográficos
Palavras-chave: Ditaduras
Imagens documentais
Memória-metamorfose
Factualidade.
author_facet Denize Correa Araujo
author_sort Denize Correa Araujo
title Documentary images:aesthetic subjectivities e apolitical
title_short Documentary images:aesthetic subjectivities e apolitical
title_full Documentary images:aesthetic subjectivities e apolitical
title_fullStr Documentary images:aesthetic subjectivities e apolitical
title_full_unstemmed Documentary images:aesthetic subjectivities e apolitical
title_sort documentary images:aesthetic subjectivities e apolitical
publisher Universidade Estadual de Londrina
series Discursos Fotográficos
issn 1808-5652
1984-7939
publishDate 2014-12-01
description This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others.
topic Palavras-chave: Ditaduras
Imagens documentais
Memória-metamorfose
Factualidade.
url http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793
work_keys_str_mv AT denizecorreaaraujo documentaryimagesaestheticsubjectivitieseapolitical
_version_ 1725719213269581824