Documentary images:aesthetic subjectivities e apolitical
This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, th...
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Universidade Estadual de Londrina
2014-12-01
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Online Access: | http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793 |
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doaj-42f055fed38a4a97b37c017cd338d0f92020-11-24T22:36:38ZspaUniversidade Estadual de LondrinaDiscursos Fotográficos1808-56521984-79392014-12-0110178711610.5433/1984-7939.2014v10n17p8711330Documentary images:aesthetic subjectivities e apoliticalDenize Correa Araujo0Universidade Tuiuti do Paraná - UTPThis study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others.http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793Palavras-chave: DitadurasImagens documentaisMemória-metamorfoseFactualidade. |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Denize Correa Araujo |
spellingShingle |
Denize Correa Araujo Documentary images:aesthetic subjectivities e apolitical Discursos Fotográficos Palavras-chave: Ditaduras Imagens documentais Memória-metamorfose Factualidade. |
author_facet |
Denize Correa Araujo |
author_sort |
Denize Correa Araujo |
title |
Documentary images:aesthetic subjectivities e apolitical |
title_short |
Documentary images:aesthetic subjectivities e apolitical |
title_full |
Documentary images:aesthetic subjectivities e apolitical |
title_fullStr |
Documentary images:aesthetic subjectivities e apolitical |
title_full_unstemmed |
Documentary images:aesthetic subjectivities e apolitical |
title_sort |
documentary images:aesthetic subjectivities e apolitical |
publisher |
Universidade Estadual de Londrina |
series |
Discursos Fotográficos |
issn |
1808-5652 1984-7939 |
publishDate |
2014-12-01 |
description |
This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others. |
topic |
Palavras-chave: Ditaduras Imagens documentais Memória-metamorfose Factualidade. |
url |
http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793 |
work_keys_str_mv |
AT denizecorreaaraujo documentaryimagesaestheticsubjectivitieseapolitical |
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1725719213269581824 |