Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis

Abstract This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the United States. In order to create this ch...

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Main Authors: Marc Vermeulen, Lucia Burgio, Nathalie Vandeperre, Elyse Driscoll, Madeleine Viljoen, Janie Woo, Marco Leona
Format: Article
Language:English
Published: SpringerOpen 2020-06-01
Series:Heritage Science
Subjects:
Online Access:http://link.springer.com/article/10.1186/s40494-020-00406-y
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spelling doaj-42820975cb4c488cb4140801d8948d452020-11-25T02:44:19ZengSpringerOpenHeritage Science2050-74452020-06-018111310.1186/s40494-020-00406-yBeyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysisMarc Vermeulen0Lucia Burgio1Nathalie Vandeperre2Elyse Driscoll3Madeleine Viljoen4Janie Woo5Marco Leona6Department of Scientific Research, The Metropolitan Museum of ArtScience Section, Conservation Department, Victoria and Albert MuseumEast Asian Collections Curatorial Department, Royal Museum of Art and HistoryConservation Department, The Brooklyn MuseumPrints and the Spencer Collection, The New York Public LibraryDepartment of Scientific Research, The Metropolitan Museum of ArtDepartment of Scientific Research, The Metropolitan Museum of ArtAbstract This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the United States. In order to create this chronology, the reflectance spectroscopy (FORS) signature of the indigo/Prussian blue mixture of the key-block printed outlines was measured and compared using multivariate data analysis. This approach yielded 9 clusters of prints, each one presenting slightly different FORS features, and therefore, different Prussian blue/indigo mixtures. The connoisseurship approach was then applied to impressions of the same print found across the 9 clusters. This allowed for arrangement of the clustered prints according to their production time, resulting in a comprehensive timeline for the 141 prints examined. To date, this work represents the only systematic study of such a large corpus of Japanese/Hokusai woodblock prints integrating chemical analysis and statistical treatment of data with careful visual examination of the prints. The result is a novel approach to creating a chronology for these objects. Our study easily differentiated between early nineteenth and early twentieth century prints as well as between various printing batches/clusters. Creating a chronology of such an important print series is also crucial to understand the evolution of artist and printing studio practices in late nineteenth-century Japan, a period of great economic and cultural changes.http://link.springer.com/article/10.1186/s40494-020-00406-yHokusaiJapanese woodblock printsFORSChemometricsChronology
collection DOAJ
language English
format Article
sources DOAJ
author Marc Vermeulen
Lucia Burgio
Nathalie Vandeperre
Elyse Driscoll
Madeleine Viljoen
Janie Woo
Marco Leona
spellingShingle Marc Vermeulen
Lucia Burgio
Nathalie Vandeperre
Elyse Driscoll
Madeleine Viljoen
Janie Woo
Marco Leona
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
Heritage Science
Hokusai
Japanese woodblock prints
FORS
Chemometrics
Chronology
author_facet Marc Vermeulen
Lucia Burgio
Nathalie Vandeperre
Elyse Driscoll
Madeleine Viljoen
Janie Woo
Marco Leona
author_sort Marc Vermeulen
title Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
title_short Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
title_full Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
title_fullStr Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
title_full_unstemmed Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
title_sort beyond the connoisseurship approach: creating a chronology in hokusai prints using non-invasive techniques and multivariate data analysis
publisher SpringerOpen
series Heritage Science
issn 2050-7445
publishDate 2020-06-01
description Abstract This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the United States. In order to create this chronology, the reflectance spectroscopy (FORS) signature of the indigo/Prussian blue mixture of the key-block printed outlines was measured and compared using multivariate data analysis. This approach yielded 9 clusters of prints, each one presenting slightly different FORS features, and therefore, different Prussian blue/indigo mixtures. The connoisseurship approach was then applied to impressions of the same print found across the 9 clusters. This allowed for arrangement of the clustered prints according to their production time, resulting in a comprehensive timeline for the 141 prints examined. To date, this work represents the only systematic study of such a large corpus of Japanese/Hokusai woodblock prints integrating chemical analysis and statistical treatment of data with careful visual examination of the prints. The result is a novel approach to creating a chronology for these objects. Our study easily differentiated between early nineteenth and early twentieth century prints as well as between various printing batches/clusters. Creating a chronology of such an important print series is also crucial to understand the evolution of artist and printing studio practices in late nineteenth-century Japan, a period of great economic and cultural changes.
topic Hokusai
Japanese woodblock prints
FORS
Chemometrics
Chronology
url http://link.springer.com/article/10.1186/s40494-020-00406-y
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