Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis
Abstract This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the United States. In order to create this ch...
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doaj-42820975cb4c488cb4140801d8948d452020-11-25T02:44:19ZengSpringerOpenHeritage Science2050-74452020-06-018111310.1186/s40494-020-00406-yBeyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysisMarc Vermeulen0Lucia Burgio1Nathalie Vandeperre2Elyse Driscoll3Madeleine Viljoen4Janie Woo5Marco Leona6Department of Scientific Research, The Metropolitan Museum of ArtScience Section, Conservation Department, Victoria and Albert MuseumEast Asian Collections Curatorial Department, Royal Museum of Art and HistoryConservation Department, The Brooklyn MuseumPrints and the Spencer Collection, The New York Public LibraryDepartment of Scientific Research, The Metropolitan Museum of ArtDepartment of Scientific Research, The Metropolitan Museum of ArtAbstract This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the United States. In order to create this chronology, the reflectance spectroscopy (FORS) signature of the indigo/Prussian blue mixture of the key-block printed outlines was measured and compared using multivariate data analysis. This approach yielded 9 clusters of prints, each one presenting slightly different FORS features, and therefore, different Prussian blue/indigo mixtures. The connoisseurship approach was then applied to impressions of the same print found across the 9 clusters. This allowed for arrangement of the clustered prints according to their production time, resulting in a comprehensive timeline for the 141 prints examined. To date, this work represents the only systematic study of such a large corpus of Japanese/Hokusai woodblock prints integrating chemical analysis and statistical treatment of data with careful visual examination of the prints. The result is a novel approach to creating a chronology for these objects. Our study easily differentiated between early nineteenth and early twentieth century prints as well as between various printing batches/clusters. Creating a chronology of such an important print series is also crucial to understand the evolution of artist and printing studio practices in late nineteenth-century Japan, a period of great economic and cultural changes.http://link.springer.com/article/10.1186/s40494-020-00406-yHokusaiJapanese woodblock printsFORSChemometricsChronology |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Marc Vermeulen Lucia Burgio Nathalie Vandeperre Elyse Driscoll Madeleine Viljoen Janie Woo Marco Leona |
spellingShingle |
Marc Vermeulen Lucia Burgio Nathalie Vandeperre Elyse Driscoll Madeleine Viljoen Janie Woo Marco Leona Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis Heritage Science Hokusai Japanese woodblock prints FORS Chemometrics Chronology |
author_facet |
Marc Vermeulen Lucia Burgio Nathalie Vandeperre Elyse Driscoll Madeleine Viljoen Janie Woo Marco Leona |
author_sort |
Marc Vermeulen |
title |
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis |
title_short |
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis |
title_full |
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis |
title_fullStr |
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis |
title_full_unstemmed |
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysis |
title_sort |
beyond the connoisseurship approach: creating a chronology in hokusai prints using non-invasive techniques and multivariate data analysis |
publisher |
SpringerOpen |
series |
Heritage Science |
issn |
2050-7445 |
publishDate |
2020-06-01 |
description |
Abstract This study combines scientific and connoisseurship approaches to establish a production chronology of 141 woodblock prints from Katsushika Hokusai’s series Thirty-Six Views of Mount Fuji belonging to different cultural institutions in Europe and the United States. In order to create this chronology, the reflectance spectroscopy (FORS) signature of the indigo/Prussian blue mixture of the key-block printed outlines was measured and compared using multivariate data analysis. This approach yielded 9 clusters of prints, each one presenting slightly different FORS features, and therefore, different Prussian blue/indigo mixtures. The connoisseurship approach was then applied to impressions of the same print found across the 9 clusters. This allowed for arrangement of the clustered prints according to their production time, resulting in a comprehensive timeline for the 141 prints examined. To date, this work represents the only systematic study of such a large corpus of Japanese/Hokusai woodblock prints integrating chemical analysis and statistical treatment of data with careful visual examination of the prints. The result is a novel approach to creating a chronology for these objects. Our study easily differentiated between early nineteenth and early twentieth century prints as well as between various printing batches/clusters. Creating a chronology of such an important print series is also crucial to understand the evolution of artist and printing studio practices in late nineteenth-century Japan, a period of great economic and cultural changes. |
topic |
Hokusai Japanese woodblock prints FORS Chemometrics Chronology |
url |
http://link.springer.com/article/10.1186/s40494-020-00406-y |
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