Rich Video, Poor Video: Intermedial Greek Tragedy
In this paper, I propose a shift in Jerzy Grotwoski’s theatrical ‘new testament.’ I argue not for the elimination of media on stage but instead for Poor Video, which I define as the conscious use of video and media that forces a perspective change for the audience, an intermedial effect, making them...
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doaj-42568af3901c4b6ab81fda6326d0698a2020-11-24T20:51:11ZengOpen Library of HumanitiesBody, Space & Technology Journal1470-91202010-07-0192102Rich Video, Poor Video: Intermedial Greek TragedyPeter A. CampbellIn this paper, I propose a shift in Jerzy Grotwoski’s theatrical ‘new testament.’ I argue not for the elimination of media on stage but instead for Poor Video, which I define as the conscious use of video and media that forces a perspective change for the audience, an intermedial effect, making them aware of the presence of technology in their art, their representation, and their lives. I use examples from my own work as a writer/director to illustrate how Poor Video can be useful in creating the kinds of presence and awareness that Grotowski thought unique to the theatrical event.https://www.bstjournal.com/articles/102 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Peter A. Campbell |
spellingShingle |
Peter A. Campbell Rich Video, Poor Video: Intermedial Greek Tragedy Body, Space & Technology Journal |
author_facet |
Peter A. Campbell |
author_sort |
Peter A. Campbell |
title |
Rich Video, Poor Video: Intermedial Greek Tragedy |
title_short |
Rich Video, Poor Video: Intermedial Greek Tragedy |
title_full |
Rich Video, Poor Video: Intermedial Greek Tragedy |
title_fullStr |
Rich Video, Poor Video: Intermedial Greek Tragedy |
title_full_unstemmed |
Rich Video, Poor Video: Intermedial Greek Tragedy |
title_sort |
rich video, poor video: intermedial greek tragedy |
publisher |
Open Library of Humanities |
series |
Body, Space & Technology Journal |
issn |
1470-9120 |
publishDate |
2010-07-01 |
description |
In this paper, I propose a shift in Jerzy Grotwoski’s theatrical ‘new testament.’ I argue not for the elimination of media on stage but instead for Poor Video, which I define as the conscious use of video and media that forces a perspective change for the audience, an intermedial effect, making them aware of the presence of technology in their art, their representation, and their lives. I use examples from my own work as a writer/director to illustrate how Poor Video can be useful in creating the kinds of presence and awareness that Grotowski thought unique to the theatrical event. |
url |
https://www.bstjournal.com/articles/102 |
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