Audience as Community: Corporeal Knowledge and Empathetic Viewing

This essay focuses on community in the form of audiences, and in particular, screendance audiences. A specific focus is given to a collection of screendance experiences from viewing a selection of contemporary dance films. The term screendance is used in this research as suggested by Douglas Rosenbe...

Full description

Bibliographic Details
Main Author: Karen Wood
Format: Article
Language:English
Published: The Ohio State University Libraries 2015-03-01
Series:The International Journal of Screendance
Subjects:
Online Access:http://screendancejournal.org/article/view/4518
id doaj-41fa6ae191dd4dc2855215a8a13a16f0
record_format Article
spelling doaj-41fa6ae191dd4dc2855215a8a13a16f02020-11-25T02:30:05ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782015-03-015010.18061/ijsd.v5i0.45183274Audience as Community: Corporeal Knowledge and Empathetic ViewingKaren Wood0Wolverhampton UniversityThis essay focuses on community in the form of audiences, and in particular, screendance audiences. A specific focus is given to a collection of screendance experiences from viewing a selection of contemporary dance films. The term screendance is used in this research as suggested by Douglas Rosenberg as "stories told by the body" and "not told by the body." What follows, for this essay, are theories borrowed from the discipline of audience and reception research detailing what we may perceive audiences to be and how the idea of 'audience' as a community may influence the way filmmakers approach the very audiences they hope to reach. Kinesthetic empathy will be used as a framework to understand the pleasures and displeasures that are experienced by the viewer from an embodied perspective. While considering kinesthetic empathy with audience and reception research, the main focus for this essay is nuancing the idea of audiences as a community that is enriched with corporeal knowledge. This knowledge reveals itself as empathetic and sympathetic viewing of the media.http://screendancejournal.org/article/view/4518screendancedancefilmkinesthetic empathyaudienceviewer
collection DOAJ
language English
format Article
sources DOAJ
author Karen Wood
spellingShingle Karen Wood
Audience as Community: Corporeal Knowledge and Empathetic Viewing
The International Journal of Screendance
screendance
dancefilm
kinesthetic empathy
audience
viewer
author_facet Karen Wood
author_sort Karen Wood
title Audience as Community: Corporeal Knowledge and Empathetic Viewing
title_short Audience as Community: Corporeal Knowledge and Empathetic Viewing
title_full Audience as Community: Corporeal Knowledge and Empathetic Viewing
title_fullStr Audience as Community: Corporeal Knowledge and Empathetic Viewing
title_full_unstemmed Audience as Community: Corporeal Knowledge and Empathetic Viewing
title_sort audience as community: corporeal knowledge and empathetic viewing
publisher The Ohio State University Libraries
series The International Journal of Screendance
issn 2154-6878
publishDate 2015-03-01
description This essay focuses on community in the form of audiences, and in particular, screendance audiences. A specific focus is given to a collection of screendance experiences from viewing a selection of contemporary dance films. The term screendance is used in this research as suggested by Douglas Rosenberg as "stories told by the body" and "not told by the body." What follows, for this essay, are theories borrowed from the discipline of audience and reception research detailing what we may perceive audiences to be and how the idea of 'audience' as a community may influence the way filmmakers approach the very audiences they hope to reach. Kinesthetic empathy will be used as a framework to understand the pleasures and displeasures that are experienced by the viewer from an embodied perspective. While considering kinesthetic empathy with audience and reception research, the main focus for this essay is nuancing the idea of audiences as a community that is enriched with corporeal knowledge. This knowledge reveals itself as empathetic and sympathetic viewing of the media.
topic screendance
dancefilm
kinesthetic empathy
audience
viewer
url http://screendancejournal.org/article/view/4518
work_keys_str_mv AT karenwood audienceascommunitycorporealknowledgeandempatheticviewing
_version_ 1724830097331978240