| Summary: | <p>This article puts the cold war in a broader historical perspective by juxtaposing the original Hollywood film <em>The Manchurian Candidate</em> (1962) with the 2004 remake as an occasion to ponder the (dis)continuities of history from the Korean War to the Gulf War. It reads both versions as nostalgia films in that they relegate the historical events of the Korean War and the Gulf War into floating background images as the sexualized/feminized Asian other or as the vilified Arab “enemy.” As a result, specific histories from Korea to Iraq become silenced while simultaneously represented through popular clichés of Red Queens, Yellow Perils, and “fanatic” suicide bombers, replacing history with nostalgia for home—the mythic Virgin Land of the American national imaginary. The American millenarian dream of utopia is haunted by the anxiety about doom as the desire for home stumbles upon repressed unhomely presences, upon the paradoxical impulse to remember by forgetting.</p>
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