MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically

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Bibliographic Details
Main Authors: Richard Wainwright, Shannon Stevens
Format: Article
Language:English
Published: University of Alberta 2017-03-01
Series:Art/Research International
Subjects:
Online Access:https://journals.library.ualberta.ca/ari/index.php/ari/article/view/28985
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spelling doaj-41dd416fd6e74aa1a4c22cc0df7ec5682020-11-25T00:00:29ZengUniversity of AlbertaArt/Research International2371-37712017-03-012116618410.18432/a.r.i..v2i1.2898519652MashUp at the Vancouver Art Gallery: “In Review” [onto]RiffologicallyRichard Wainwright0Shannon StevensUniversity of Victoria
 European Graduate School@font-face { font-family: "Arial"; }@font-face { font-family: "Arial"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }p.normal, li.normal, div.normal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }.MsoChpDefault { font-size: 11pt; font-family: Arial; color: black; }.MsoPapDefault { line-height: 115%; }div.WordSection1 { }Abstract: [onto]Riffology, a “plug in and play” method of inquiry that riffs across technological platforms and with all manner of material, finds easy resonance in mashup and remix, and we turn our riffological sights to the Vancouver Art Gallery which hosted MashUp[1] from February 20th through June 12th, 2016. Creative and combinatorial, mashup is identifiable in popular discourse as fundamentally humanist and epistemological in nature; however, as an interdisciplinary, ontological practise of repurposing and reconstituting, acts of mashup also exist in geological activity, far outside of humanity, and here we apply ontological focus through riffological measures. We are interested not in seeing merely what is being exhibited, but deterritorializing what is being curated. Our emergent senses of new materialisms inform our riffology here as we ceaselessly (re)encounter the exhibition; experienced as a riff arcade of dream like experience that one mayn’t exit; like the arcades of Benjamin’s mammoth project of 1927 to 1940. [1] "Vancouver Art Gallery: The Making Of Mashup", YouTube, accessed February 8, 2017, https://www.youtube.com/watch?v=DjFPesKTa5Q&t=2s.https://journals.library.ualberta.ca/ari/index.php/ari/article/view/28985[onto]Riffology, riffology, riff, MashUp, mash up, Vancouver Art Gallery, www.mashup-at-the-vancouver-art-gallery.com
collection DOAJ
language English
format Article
sources DOAJ
author Richard Wainwright
Shannon Stevens
spellingShingle Richard Wainwright
Shannon Stevens
MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
Art/Research International
[onto]Riffology, riffology, riff, MashUp, mash up, Vancouver Art Gallery, www.mashup-at-the-vancouver-art-gallery.com
author_facet Richard Wainwright
Shannon Stevens
author_sort Richard Wainwright
title MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
title_short MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
title_full MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
title_fullStr MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
title_full_unstemmed MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
title_sort mashup at the vancouver art gallery: “in review” [onto]riffologically
publisher University of Alberta
series Art/Research International
issn 2371-3771
publishDate 2017-03-01
description @font-face { font-family: "Arial"; }@font-face { font-family: "Arial"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }p.normal, li.normal, div.normal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }.MsoChpDefault { font-size: 11pt; font-family: Arial; color: black; }.MsoPapDefault { line-height: 115%; }div.WordSection1 { }Abstract: [onto]Riffology, a “plug in and play” method of inquiry that riffs across technological platforms and with all manner of material, finds easy resonance in mashup and remix, and we turn our riffological sights to the Vancouver Art Gallery which hosted MashUp[1] from February 20th through June 12th, 2016. Creative and combinatorial, mashup is identifiable in popular discourse as fundamentally humanist and epistemological in nature; however, as an interdisciplinary, ontological practise of repurposing and reconstituting, acts of mashup also exist in geological activity, far outside of humanity, and here we apply ontological focus through riffological measures. We are interested not in seeing merely what is being exhibited, but deterritorializing what is being curated. Our emergent senses of new materialisms inform our riffology here as we ceaselessly (re)encounter the exhibition; experienced as a riff arcade of dream like experience that one mayn’t exit; like the arcades of Benjamin’s mammoth project of 1927 to 1940. [1] "Vancouver Art Gallery: The Making Of Mashup", YouTube, accessed February 8, 2017, https://www.youtube.com/watch?v=DjFPesKTa5Q&t=2s.
topic [onto]Riffology, riffology, riff, MashUp, mash up, Vancouver Art Gallery, www.mashup-at-the-vancouver-art-gallery.com
url https://journals.library.ualberta.ca/ari/index.php/ari/article/view/28985
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