MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically
@font-face { font-family: "Arial"; }@font-face { font-family: "Arial"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }p.normal, li.normal, div.normal { margin: 0cm 0cm 0.0001pt; line-hei...
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Alberta
2017-03-01
|
Series: | Art/Research International |
Subjects: | |
Online Access: | https://journals.library.ualberta.ca/ari/index.php/ari/article/view/28985 |
id |
doaj-41dd416fd6e74aa1a4c22cc0df7ec568 |
---|---|
record_format |
Article |
spelling |
doaj-41dd416fd6e74aa1a4c22cc0df7ec5682020-11-25T00:00:29ZengUniversity of AlbertaArt/Research International2371-37712017-03-012116618410.18432/a.r.i..v2i1.2898519652MashUp at the Vancouver Art Gallery: “In Review” [onto]RiffologicallyRichard Wainwright0Shannon StevensUniversity of Victoria European Graduate School@font-face { font-family: "Arial"; }@font-face { font-family: "Arial"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }p.normal, li.normal, div.normal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }.MsoChpDefault { font-size: 11pt; font-family: Arial; color: black; }.MsoPapDefault { line-height: 115%; }div.WordSection1 { }Abstract: [onto]Riffology, a “plug in and play” method of inquiry that riffs across technological platforms and with all manner of material, finds easy resonance in mashup and remix, and we turn our riffological sights to the Vancouver Art Gallery which hosted MashUp[1] from February 20th through June 12th, 2016. Creative and combinatorial, mashup is identifiable in popular discourse as fundamentally humanist and epistemological in nature; however, as an interdisciplinary, ontological practise of repurposing and reconstituting, acts of mashup also exist in geological activity, far outside of humanity, and here we apply ontological focus through riffological measures. We are interested not in seeing merely what is being exhibited, but deterritorializing what is being curated. Our emergent senses of new materialisms inform our riffology here as we ceaselessly (re)encounter the exhibition; experienced as a riff arcade of dream like experience that one mayn’t exit; like the arcades of Benjamin’s mammoth project of 1927 to 1940. [1] "Vancouver Art Gallery: The Making Of Mashup", YouTube, accessed February 8, 2017, https://www.youtube.com/watch?v=DjFPesKTa5Q&t=2s.https://journals.library.ualberta.ca/ari/index.php/ari/article/view/28985[onto]Riffology, riffology, riff, MashUp, mash up, Vancouver Art Gallery, www.mashup-at-the-vancouver-art-gallery.com |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Richard Wainwright Shannon Stevens |
spellingShingle |
Richard Wainwright Shannon Stevens MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically Art/Research International [onto]Riffology, riffology, riff, MashUp, mash up, Vancouver Art Gallery, www.mashup-at-the-vancouver-art-gallery.com |
author_facet |
Richard Wainwright Shannon Stevens |
author_sort |
Richard Wainwright |
title |
MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically |
title_short |
MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically |
title_full |
MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically |
title_fullStr |
MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically |
title_full_unstemmed |
MashUp at the Vancouver Art Gallery: “In Review” [onto]Riffologically |
title_sort |
mashup at the vancouver art gallery: “in review” [onto]riffologically |
publisher |
University of Alberta |
series |
Art/Research International |
issn |
2371-3771 |
publishDate |
2017-03-01 |
description |
@font-face { font-family: "Arial"; }@font-face { font-family: "Arial"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }p.normal, li.normal, div.normal { margin: 0cm 0cm 0.0001pt; line-height: 115%; font-size: 11pt; font-family: Arial; color: black; }.MsoChpDefault { font-size: 11pt; font-family: Arial; color: black; }.MsoPapDefault { line-height: 115%; }div.WordSection1 { }Abstract: [onto]Riffology, a “plug in and play” method of inquiry that riffs across technological platforms and with all manner of material, finds easy resonance in mashup and remix, and we turn our riffological sights to the Vancouver Art Gallery which hosted MashUp[1] from February 20th through June 12th, 2016. Creative and combinatorial, mashup is identifiable in popular discourse as fundamentally humanist and epistemological in nature; however, as an interdisciplinary, ontological practise of repurposing and reconstituting, acts of mashup also exist in geological activity, far outside of humanity, and here we apply ontological focus through riffological measures. We are interested not in seeing merely what is being exhibited, but deterritorializing what is being curated. Our emergent senses of new materialisms inform our riffology here as we ceaselessly (re)encounter the exhibition; experienced as a riff arcade of dream like experience that one mayn’t exit; like the arcades of Benjamin’s mammoth project of 1927 to 1940.
[1] "Vancouver Art Gallery: The Making Of Mashup", YouTube, accessed February 8, 2017, https://www.youtube.com/watch?v=DjFPesKTa5Q&t=2s. |
topic |
[onto]Riffology, riffology, riff, MashUp, mash up, Vancouver Art Gallery, www.mashup-at-the-vancouver-art-gallery.com |
url |
https://journals.library.ualberta.ca/ari/index.php/ari/article/view/28985 |
work_keys_str_mv |
AT richardwainwright mashupatthevancouverartgalleryinreviewontoriffologically AT shannonstevens mashupatthevancouverartgalleryinreviewontoriffologically |
_version_ |
1725444826997981184 |