The Pairwise Variability Index as a Measure of Rhythm Complexity

The normalized pairwise variability index (nPVI) is a measure of the average variation (contrast) of a set of distances (durations) that are obtained from successive ordered pairs of events. It was originally conceived for measuring the rhythmic differences between languages on the basis of vowel le...

Full description

Bibliographic Details
Main Author: Toussaint, Godfried T.
Format: Article
Language:English
Published: Analytical Approaches to World Music 2013-07-01
Series:Analytical Approaches to World Music
Online Access:http://aawmjournal.com/articles/2013b/Toussaint_AAWM_Vol_2_2.pdf
id doaj-415fcb2570c24dba96e887b2b931e53a
record_format Article
spelling doaj-415fcb2570c24dba96e887b2b931e53a2020-11-25T03:41:03ZengAnalytical Approaches to World MusicAnalytical Approaches to World Music2158-52962013-07-0122142The Pairwise Variability Index as a Measure of Rhythm ComplexityToussaint, Godfried T.0New York University, Abu DhabiThe normalized pairwise variability index (nPVI) is a measure of the average variation (contrast) of a set of distances (durations) that are obtained from successive ordered pairs of events. It was originally conceived for measuring the rhythmic differences between languages on the basis of vowel length. More recently, it has also been employed successfully to compare large-scale rhythm in speech and music. London and Jones (2011) suggested that the nPVI could become a useful general tool for musical rhythm analysis. One goal of this study is to determine how well the nPVI correlates with various dimensions of musical and non-musical rhythm complexity, ranging from human performance and perceptual complexities, to mathematical measures of metric complexity and rhythm irregularity. A second goal is to determine to what extent the nPVI is capable of discriminating between short, symbolically notated, musical rhythms across meters, genres, styles, and cultures, as well as across non-musical rhythms such as the highly irregular mark patterns of Golomb rulers. It is shown that the nPVI suffers from several shortcomings in the context of short symbolic rhythmic patterns, such as Sub-Saharan African bell patterns, Arabic rhythms, Rumanian dance rhythms, and Indian talas. Nevertheless, comparisons with experimental results reveal that the nPVI correlates moderately, with human performance complexity. It is also able to discriminate between almost all the families of rhythms tested. However, no highly significant differences were found between the nPVI values of binary (duple) and ternary (triple) African syncopated rhythms, partly mirroring the findings by Patel and Daniele (2003) for language rhythms. In addition, a modification of the nPVI is proposed that incorporates knowledge of the underlying meter, and that correlates highly with two measures of human performance complexity, for rhythms that are syncopated.http://aawmjournal.com/articles/2013b/Toussaint_AAWM_Vol_2_2.pdf
collection DOAJ
language English
format Article
sources DOAJ
author Toussaint, Godfried T.
spellingShingle Toussaint, Godfried T.
The Pairwise Variability Index as a Measure of Rhythm Complexity
Analytical Approaches to World Music
author_facet Toussaint, Godfried T.
author_sort Toussaint, Godfried T.
title The Pairwise Variability Index as a Measure of Rhythm Complexity
title_short The Pairwise Variability Index as a Measure of Rhythm Complexity
title_full The Pairwise Variability Index as a Measure of Rhythm Complexity
title_fullStr The Pairwise Variability Index as a Measure of Rhythm Complexity
title_full_unstemmed The Pairwise Variability Index as a Measure of Rhythm Complexity
title_sort pairwise variability index as a measure of rhythm complexity
publisher Analytical Approaches to World Music
series Analytical Approaches to World Music
issn 2158-5296
publishDate 2013-07-01
description The normalized pairwise variability index (nPVI) is a measure of the average variation (contrast) of a set of distances (durations) that are obtained from successive ordered pairs of events. It was originally conceived for measuring the rhythmic differences between languages on the basis of vowel length. More recently, it has also been employed successfully to compare large-scale rhythm in speech and music. London and Jones (2011) suggested that the nPVI could become a useful general tool for musical rhythm analysis. One goal of this study is to determine how well the nPVI correlates with various dimensions of musical and non-musical rhythm complexity, ranging from human performance and perceptual complexities, to mathematical measures of metric complexity and rhythm irregularity. A second goal is to determine to what extent the nPVI is capable of discriminating between short, symbolically notated, musical rhythms across meters, genres, styles, and cultures, as well as across non-musical rhythms such as the highly irregular mark patterns of Golomb rulers. It is shown that the nPVI suffers from several shortcomings in the context of short symbolic rhythmic patterns, such as Sub-Saharan African bell patterns, Arabic rhythms, Rumanian dance rhythms, and Indian talas. Nevertheless, comparisons with experimental results reveal that the nPVI correlates moderately, with human performance complexity. It is also able to discriminate between almost all the families of rhythms tested. However, no highly significant differences were found between the nPVI values of binary (duple) and ternary (triple) African syncopated rhythms, partly mirroring the findings by Patel and Daniele (2003) for language rhythms. In addition, a modification of the nPVI is proposed that incorporates knowledge of the underlying meter, and that correlates highly with two measures of human performance complexity, for rhythms that are syncopated.
url http://aawmjournal.com/articles/2013b/Toussaint_AAWM_Vol_2_2.pdf
work_keys_str_mv AT toussaintgodfriedt thepairwisevariabilityindexasameasureofrhythmcomplexity
AT toussaintgodfriedt pairwisevariabilityindexasameasureofrhythmcomplexity
_version_ 1724532073491857408