Making «art» in Prehistory: signs and figures of metaphorical paleolithic man

We owe our first graphic experiences to Neanderthal Man, who introduced to the cultural baggage of the genus Homo two metaphorical behaviors that are fundamental in terms of their innovation: one concerns the preservation of the bodies of the dead through burial, the other is the making of signs, wh...

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Main Author: Fabio Martini
Format: Article
Language:English
Published: Firenze University Press 2015-05-01
Series:Aisthesis
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/857
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spelling doaj-41518745df6a4beea547688a699e6f022020-11-25T02:18:30ZengFirenze University PressAisthesis2035-84662015-05-0181Making «art» in Prehistory: signs and figures of metaphorical paleolithic manFabio MartiniWe owe our first graphic experiences to Neanderthal Man, who introduced to the cultural baggage of the genus Homo two metaphorical behaviors that are fundamental in terms of their innovation: one concerns the preservation of the bodies of the dead through burial, the other is the making of signs, which in this stage of evolution do not yet represent recognizable subjects but only lines. This attests to the creation of a graphical tool that materializes and makes visible that which exists in the mind, something that is other than itself, thus providing signs of a communication that unfortunately today we cannot define semantically. We cannot say whether these linear marks are a sort of «brand» or if they are carriers of meanings, however, we can observe that, with the Neanderthals, a conceptual, projectual plan exists that enables the measurement of space and the configuration of a regular rhythm, creating an original condition of movement and an association of potentially dynamic lines.https://oajournals.fupress.net/index.php/aisthesis/article/view/857
collection DOAJ
language English
format Article
sources DOAJ
author Fabio Martini
spellingShingle Fabio Martini
Making «art» in Prehistory: signs and figures of metaphorical paleolithic man
Aisthesis
author_facet Fabio Martini
author_sort Fabio Martini
title Making «art» in Prehistory: signs and figures of metaphorical paleolithic man
title_short Making «art» in Prehistory: signs and figures of metaphorical paleolithic man
title_full Making «art» in Prehistory: signs and figures of metaphorical paleolithic man
title_fullStr Making «art» in Prehistory: signs and figures of metaphorical paleolithic man
title_full_unstemmed Making «art» in Prehistory: signs and figures of metaphorical paleolithic man
title_sort making «art» in prehistory: signs and figures of metaphorical paleolithic man
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2015-05-01
description We owe our first graphic experiences to Neanderthal Man, who introduced to the cultural baggage of the genus Homo two metaphorical behaviors that are fundamental in terms of their innovation: one concerns the preservation of the bodies of the dead through burial, the other is the making of signs, which in this stage of evolution do not yet represent recognizable subjects but only lines. This attests to the creation of a graphical tool that materializes and makes visible that which exists in the mind, something that is other than itself, thus providing signs of a communication that unfortunately today we cannot define semantically. We cannot say whether these linear marks are a sort of «brand» or if they are carriers of meanings, however, we can observe that, with the Neanderthals, a conceptual, projectual plan exists that enables the measurement of space and the configuration of a regular rhythm, creating an original condition of movement and an association of potentially dynamic lines.
url https://oajournals.fupress.net/index.php/aisthesis/article/view/857
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