Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks
<p>This paper aims to reflect on the symbolic statute of the body and its significant materiality, considering its (inter)relation with memory and language. With this purpose, a possible interrelation between Eugène Delacroix’s painting, “La liberté guidant le people”, and Elisa Riemer’s poste...
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2018-01-01
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Online Access: | http://revistas.unisinos.br/index.php/calidoscopio/article/view/12779 |
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doaj-413bb0c751aa48cfa3cf3cd3d3787d132020-11-25T03:29:09ZporUniversidade do Vale do Rio dos Sinos (UNISINOS)Calidoscópio 2177-62022018-01-0115354254910.4013/cld.2017.153.125683Body, image and meaning: An interpretation of discursive processes and discontinuities in social networksAracy Graça Ernst0Janaina Cardoso Brum1Universidade Católica de PelotasUniversidade Federal de Pelotas Universidade Católica de Pelotas - Laboratório de Estudos em Análise do Discurso<p>This paper aims to reflect on the symbolic statute of the body and its significant materiality, considering its (inter)relation with memory and language. With this purpose, a possible interrelation between Eugène Delacroix’s painting, “La liberté guidant le people”, and Elisa Riemer’s poster of the 2nd Marcha das Vadias (SlutWalk), which occurred in the city of Maringá, in the state of Paraná, Brazil, was analyzed. The body was found to be a significant and historical materiality registered in a memory network, sometimes being absorbed by this network, sometimes rupturing with it.</p><p><strong>Keywords:</strong> discourse, body, memory.</p>http://revistas.unisinos.br/index.php/calidoscopio/article/view/12779 |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
Aracy Graça Ernst Janaina Cardoso Brum |
spellingShingle |
Aracy Graça Ernst Janaina Cardoso Brum Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks Calidoscópio |
author_facet |
Aracy Graça Ernst Janaina Cardoso Brum |
author_sort |
Aracy Graça Ernst |
title |
Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks |
title_short |
Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks |
title_full |
Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks |
title_fullStr |
Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks |
title_full_unstemmed |
Body, image and meaning: An interpretation of discursive processes and discontinuities in social networks |
title_sort |
body, image and meaning: an interpretation of discursive processes and discontinuities in social networks |
publisher |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
series |
Calidoscópio |
issn |
2177-6202 |
publishDate |
2018-01-01 |
description |
<p>This paper aims to reflect on the symbolic statute of the body and its significant materiality, considering its (inter)relation with memory and language. With this purpose, a possible interrelation between Eugène Delacroix’s painting, “La liberté guidant le people”, and Elisa Riemer’s poster of the 2nd Marcha das Vadias (SlutWalk), which occurred in the city of Maringá, in the state of Paraná, Brazil, was analyzed. The body was found to be a significant and historical materiality registered in a memory network, sometimes being absorbed by this network, sometimes rupturing with it.</p><p><strong>Keywords:</strong> discourse, body, memory.</p> |
url |
http://revistas.unisinos.br/index.php/calidoscopio/article/view/12779 |
work_keys_str_mv |
AT aracygracaernst bodyimageandmeaninganinterpretationofdiscursiveprocessesanddiscontinuitiesinsocialnetworks AT janainacardosobrum bodyimageandmeaninganinterpretationofdiscursiveprocessesanddiscontinuitiesinsocialnetworks |
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