Teaching Medieval Music Today: New Approaches to Paleography and Music History

Besides a tendency to abstractness, inherent in the technical nature of the subject itself, a common problem in the teaching of medieval music history is how to awaken the interest of learners in matters that are so far back in time as to have nothing in common with modern sensibility. Referring to...

Full description

Bibliographic Details
Main Author: Cesarino Ruini
Format: Article
Language:deu
Published: University of Bologna 2016-12-01
Series:Musica Docta
Subjects:
Online Access:https://musicadocta.unibo.it/article/view/6569
id doaj-412f5974405748498eebcf8edd17a927
record_format Article
spelling doaj-412f5974405748498eebcf8edd17a9272020-11-25T00:36:28ZdeuUniversity of BolognaMusica Docta2039-97152016-12-0161697610.6092/issn.2039-9715/65695968Teaching Medieval Music Today: New Approaches to Paleography and Music HistoryCesarino RuiniBesides a tendency to abstractness, inherent in the technical nature of the subject itself, a common problem in the teaching of medieval music history is how to awaken the interest of learners in matters that are so far back in time as to have nothing in common with modern sensibility. Referring to the introduction of the staff by Guido of Arezzo in the 11th century, the article tries to explain how, by aptly combining chronologically organized descriptions of facts with a basic study of documents (that is, by adopting the rudiments of the research methods used by expert historians), students can be encouraged to reconstruct history with a strict method. This approach also sheds light on the reasons why men and women of the past adopted certain innovations or kept certain traditions alive.https://musicadocta.unibo.it/article/view/6569Medieval musicPedagogyGuido of ArezzoMusic history teaching
collection DOAJ
language deu
format Article
sources DOAJ
author Cesarino Ruini
spellingShingle Cesarino Ruini
Teaching Medieval Music Today: New Approaches to Paleography and Music History
Musica Docta
Medieval music
Pedagogy
Guido of Arezzo
Music history teaching
author_facet Cesarino Ruini
author_sort Cesarino Ruini
title Teaching Medieval Music Today: New Approaches to Paleography and Music History
title_short Teaching Medieval Music Today: New Approaches to Paleography and Music History
title_full Teaching Medieval Music Today: New Approaches to Paleography and Music History
title_fullStr Teaching Medieval Music Today: New Approaches to Paleography and Music History
title_full_unstemmed Teaching Medieval Music Today: New Approaches to Paleography and Music History
title_sort teaching medieval music today: new approaches to paleography and music history
publisher University of Bologna
series Musica Docta
issn 2039-9715
publishDate 2016-12-01
description Besides a tendency to abstractness, inherent in the technical nature of the subject itself, a common problem in the teaching of medieval music history is how to awaken the interest of learners in matters that are so far back in time as to have nothing in common with modern sensibility. Referring to the introduction of the staff by Guido of Arezzo in the 11th century, the article tries to explain how, by aptly combining chronologically organized descriptions of facts with a basic study of documents (that is, by adopting the rudiments of the research methods used by expert historians), students can be encouraged to reconstruct history with a strict method. This approach also sheds light on the reasons why men and women of the past adopted certain innovations or kept certain traditions alive.
topic Medieval music
Pedagogy
Guido of Arezzo
Music history teaching
url https://musicadocta.unibo.it/article/view/6569
work_keys_str_mv AT cesarinoruini teachingmedievalmusictodaynewapproachestopaleographyandmusichistory
_version_ 1725305188315561984