FILM SEBAGAI PROPAGANDA DI INDONESIA

<div class="WordSection1"><p><em>Through the study of the document as a qualitative approach, this study aims to determine how the film plays the propaganda functions from time to time, particularly from the colonial era to the New Order and know the purpose of propaganda...

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Main Authors: Eka Nada Shofa Alkhajar, Firdastin Ruthnia Yudiningrum, Agus Sofyan
Format: Article
Language:English
Published: Universitas Negeri Semarang 2013-06-01
Series:Forum Ilmu Sosial
Online Access:https://journal.unnes.ac.id/nju/index.php/FIS/article/view/5356
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spelling doaj-40de11018135414c880697b2c8b29b9b2020-11-24T22:49:24ZengUniversitas Negeri SemarangForum Ilmu Sosial1412-971X2549-07452013-06-014024058FILM SEBAGAI PROPAGANDA DI INDONESIAEka Nada Shofa Alkhajar0Firdastin Ruthnia Yudiningrum1Agus Sofyan2Prodi Ilmu Komunikasi FISIP UNSProdi Ilmu Komunikasi FISIP UNSProdi Ilmu Komunikasi FISIP UNS<div class="WordSection1"><p><em>Through the study of the document as a qualitative approach, this study aims to determine how the film plays the propaganda functions from time to time, particularly from the colonial era to the New Order and know the purpose of propaganda was made.The results of this study found that the film is not a neutral medium but rather depends on the maker who uses a particular viewpoint of recording reality through the medium of film. This perspective can be injected, taped and constructed into a film in which the context is propaganda. Another fundamental findings of this study are: First, the existence of a close relationship in which the rulers (government) response to be the medium of film as a tool of propaganda with the intent and purpose</em><em></em><em> of the authorities want. So it can be said that propaganda is a conscious, systematic, planned and aimed at concrete. Second, the meaning of propaganda emerging trend is always related to the purpose of the establishment the good and great “image” of ruler. In addition, the propaganda carried on anyway have the intention to attract the sympathy and support of the people, legitimacy, status qou or any form of distortion awareness and conduct establishment version of history “ruler”. Third, through the film we actually can know the mentality, the power relation to the identity of a nation, and the fact that the time recorded and stored in the texts of the film because the film certainly born with the socio-cultural scope or context of a particular age.</em><em></em></p></div>https://journal.unnes.ac.id/nju/index.php/FIS/article/view/5356
collection DOAJ
language English
format Article
sources DOAJ
author Eka Nada Shofa Alkhajar
Firdastin Ruthnia Yudiningrum
Agus Sofyan
spellingShingle Eka Nada Shofa Alkhajar
Firdastin Ruthnia Yudiningrum
Agus Sofyan
FILM SEBAGAI PROPAGANDA DI INDONESIA
Forum Ilmu Sosial
author_facet Eka Nada Shofa Alkhajar
Firdastin Ruthnia Yudiningrum
Agus Sofyan
author_sort Eka Nada Shofa Alkhajar
title FILM SEBAGAI PROPAGANDA DI INDONESIA
title_short FILM SEBAGAI PROPAGANDA DI INDONESIA
title_full FILM SEBAGAI PROPAGANDA DI INDONESIA
title_fullStr FILM SEBAGAI PROPAGANDA DI INDONESIA
title_full_unstemmed FILM SEBAGAI PROPAGANDA DI INDONESIA
title_sort film sebagai propaganda di indonesia
publisher Universitas Negeri Semarang
series Forum Ilmu Sosial
issn 1412-971X
2549-0745
publishDate 2013-06-01
description <div class="WordSection1"><p><em>Through the study of the document as a qualitative approach, this study aims to determine how the film plays the propaganda functions from time to time, particularly from the colonial era to the New Order and know the purpose of propaganda was made.The results of this study found that the film is not a neutral medium but rather depends on the maker who uses a particular viewpoint of recording reality through the medium of film. This perspective can be injected, taped and constructed into a film in which the context is propaganda. Another fundamental findings of this study are: First, the existence of a close relationship in which the rulers (government) response to be the medium of film as a tool of propaganda with the intent and purpose</em><em></em><em> of the authorities want. So it can be said that propaganda is a conscious, systematic, planned and aimed at concrete. Second, the meaning of propaganda emerging trend is always related to the purpose of the establishment the good and great “image” of ruler. In addition, the propaganda carried on anyway have the intention to attract the sympathy and support of the people, legitimacy, status qou or any form of distortion awareness and conduct establishment version of history “ruler”. Third, through the film we actually can know the mentality, the power relation to the identity of a nation, and the fact that the time recorded and stored in the texts of the film because the film certainly born with the socio-cultural scope or context of a particular age.</em><em></em></p></div>
url https://journal.unnes.ac.id/nju/index.php/FIS/article/view/5356
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AT firdastinruthniayudiningrum filmsebagaipropagandadiindonesia
AT agussofyan filmsebagaipropagandadiindonesia
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