Cinema as a historic-politic dispositive in the case of Cabra marcado para morrer and Chile, la memoria obstinada
At the 1960 and 1970s, the Latin American cinema was strongly marked by politics: because of the victorious Cuban Revolution and Salvador Allende’s election, as much as because of the dictatorial regimes established then. The national cinematographies became fortified, proposing their own style of n...
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| Format: | Article |
| Language: | English |
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Universidad de Salamanca
2018-12-01
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| Series: | Revista de Estudios Brasileños |
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| Online Access: | https://revistas.usal.es/index.php/2386-4540/article/view/19323 |