Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)

Travelogues involve different truth claims, depending on whether their authors attempt on the one hand to convey received knowledge about entities and places, or on the other hand, present accounts of the traveler character’s own experiences. This study focuses on a travelogue from 1764 written by t...

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Main Author: Johannes Stephan
Format: Article
Language:deu
Published: Bergische Universität Wuppertal 2015-12-01
Series:Diegesis: Interdisziplinäres E-Journal für Erzählforschung
Online Access:https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/209
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spelling doaj-40adf7b4d9cf45fea85802d73e194b712020-11-24T22:48:55ZdeuBergische Universität WuppertalDiegesis: Interdisziplinäres E-Journal für Erzählforschung2195-21162015-12-0142221Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)Johannes StephanTravelogues involve different truth claims, depending on whether their authors attempt on the one hand to convey received knowledge about entities and places, or on the other hand, present accounts of the traveler character’s own experiences. This study focuses on a travelogue from 1764 written by the <em>Arabian Nights’ </em>Syrian storyteller, Ḥanna Dyāb. Having written his travelogue more than 50 years after his trip to Paris, he evidently conceived of his narrative as a means to re-enact his experiences as a young traveler. To describe his particular self-staging in this autodiegetic narration “before fiction” (Paige 2011), I argue that an understanding of focalization as a graded visual mediation between the character’s inner life and the reader is needed. This approach helps one grasp how, with reference to Dyāb’s travelogue, truth is not something the traveler witnesses, but rather something the reader is invited to realize. I conclude that, with this shift from witnessing to visualization (<em>Vergegenwärtigung</em>), Dyāb’s travelogue fulfills a core function of literature.https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/209
collection DOAJ
language deu
format Article
sources DOAJ
author Johannes Stephan
spellingShingle Johannes Stephan
Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
Diegesis: Interdisziplinäres E-Journal für Erzählforschung
author_facet Johannes Stephan
author_sort Johannes Stephan
title Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
title_short Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
title_full Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
title_fullStr Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
title_full_unstemmed Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
title_sort von der bezeugung zur narrativen vergegenwärtigung. fokalisierung im reisebuch des syrers ḥanna dyāb (1764)
publisher Bergische Universität Wuppertal
series Diegesis: Interdisziplinäres E-Journal für Erzählforschung
issn 2195-2116
publishDate 2015-12-01
description Travelogues involve different truth claims, depending on whether their authors attempt on the one hand to convey received knowledge about entities and places, or on the other hand, present accounts of the traveler character’s own experiences. This study focuses on a travelogue from 1764 written by the <em>Arabian Nights’ </em>Syrian storyteller, Ḥanna Dyāb. Having written his travelogue more than 50 years after his trip to Paris, he evidently conceived of his narrative as a means to re-enact his experiences as a young traveler. To describe his particular self-staging in this autodiegetic narration “before fiction” (Paige 2011), I argue that an understanding of focalization as a graded visual mediation between the character’s inner life and the reader is needed. This approach helps one grasp how, with reference to Dyāb’s travelogue, truth is not something the traveler witnesses, but rather something the reader is invited to realize. I conclude that, with this shift from witnessing to visualization (<em>Vergegenwärtigung</em>), Dyāb’s travelogue fulfills a core function of literature.
url https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/209
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