Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)
Travelogues involve different truth claims, depending on whether their authors attempt on the one hand to convey received knowledge about entities and places, or on the other hand, present accounts of the traveler character’s own experiences. This study focuses on a travelogue from 1764 written by t...
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Bergische Universität Wuppertal
2015-12-01
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Series: | Diegesis: Interdisziplinäres E-Journal für Erzählforschung |
Online Access: | https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/209 |
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doaj-40adf7b4d9cf45fea85802d73e194b712020-11-24T22:48:55ZdeuBergische Universität WuppertalDiegesis: Interdisziplinäres E-Journal für Erzählforschung2195-21162015-12-0142221Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764)Johannes StephanTravelogues involve different truth claims, depending on whether their authors attempt on the one hand to convey received knowledge about entities and places, or on the other hand, present accounts of the traveler character’s own experiences. This study focuses on a travelogue from 1764 written by the <em>Arabian Nights’ </em>Syrian storyteller, Ḥanna Dyāb. Having written his travelogue more than 50 years after his trip to Paris, he evidently conceived of his narrative as a means to re-enact his experiences as a young traveler. To describe his particular self-staging in this autodiegetic narration “before fiction” (Paige 2011), I argue that an understanding of focalization as a graded visual mediation between the character’s inner life and the reader is needed. This approach helps one grasp how, with reference to Dyāb’s travelogue, truth is not something the traveler witnesses, but rather something the reader is invited to realize. I conclude that, with this shift from witnessing to visualization (<em>Vergegenwärtigung</em>), Dyāb’s travelogue fulfills a core function of literature.https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/209 |
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language |
deu |
format |
Article |
sources |
DOAJ |
author |
Johannes Stephan |
spellingShingle |
Johannes Stephan Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764) Diegesis: Interdisziplinäres E-Journal für Erzählforschung |
author_facet |
Johannes Stephan |
author_sort |
Johannes Stephan |
title |
Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764) |
title_short |
Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764) |
title_full |
Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764) |
title_fullStr |
Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764) |
title_full_unstemmed |
Von der Bezeugung zur narrativen Vergegenwärtigung. Fokalisierung im Reisebuch des Syrers Ḥanna Dyāb (1764) |
title_sort |
von der bezeugung zur narrativen vergegenwärtigung. fokalisierung im reisebuch des syrers ḥanna dyāb (1764) |
publisher |
Bergische Universität Wuppertal |
series |
Diegesis: Interdisziplinäres E-Journal für Erzählforschung |
issn |
2195-2116 |
publishDate |
2015-12-01 |
description |
Travelogues involve different truth claims, depending on whether their authors attempt on the one hand to convey received knowledge about entities and places, or on the other hand, present accounts of the traveler character’s own experiences. This study focuses on a travelogue from 1764 written by the <em>Arabian Nights’ </em>Syrian storyteller, Ḥanna Dyāb. Having written his travelogue more than 50 years after his trip to Paris, he evidently conceived of his narrative as a means to re-enact his experiences as a young traveler. To describe his particular self-staging in this autodiegetic narration “before fiction” (Paige 2011), I argue that an understanding of focalization as a graded visual mediation between the character’s inner life and the reader is needed. This approach helps one grasp how, with reference to Dyāb’s travelogue, truth is not something the traveler witnesses, but rather something the reader is invited to realize. I conclude that, with this shift from witnessing to visualization (<em>Vergegenwärtigung</em>), Dyāb’s travelogue fulfills a core function of literature. |
url |
https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/209 |
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