Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »

This paper takes the case of the Brass'Art cultural café located on the municipal square of Molenbeek, as a starting point for a study aimed at understanding the construction of a common urban space with a pluralistic purpose. Based on an ethnographic study between May 2017 and January 2018, th...

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Main Authors: Nadia Fadil, Maryam Kolly
Format: Article
Language:English
Published: Université Saint-Louis Bruxelles 2019-11-01
Series:Brussels Studies
Subjects:
Online Access:http://journals.openedition.org/brussels/3996
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spelling doaj-403e20d20cab437b92038ff582884bb12020-11-25T02:32:22ZengUniversité Saint-Louis BruxellesBrussels Studies2031-02932019-11-0110.4000/brussels.3996Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »Nadia FadilMaryam KollyThis paper takes the case of the Brass'Art cultural café located on the municipal square of Molenbeek, as a starting point for a study aimed at understanding the construction of a common urban space with a pluralistic purpose. Based on an ethnographic study between May 2017 and January 2018, this article aims to show how the presence of alcohol in this space mobilises and concentrates diverse and even contradictory repertoires – of a discursive, ethical and emotional nature – behind the creation of public space. The Brass'Art case study reflects at the micro and local level the implications of the coexistence of agents with different religious sensitivities and orientations. According to a pragmatic methodology, this paper tries to demonstrate that the fine tuning of the balance of power between the majority and the minority takes place not so much through conscious negotiations or strategies of “civic indifference”, but through practical adjustments in keeping with the principle of community relations.http://journals.openedition.org/brussels/3996public spacegentrificationimmigrationmulticulturalism
collection DOAJ
language English
format Article
sources DOAJ
author Nadia Fadil
Maryam Kolly
spellingShingle Nadia Fadil
Maryam Kolly
Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
Brussels Studies
public space
gentrification
immigration
multiculturalism
author_facet Nadia Fadil
Maryam Kolly
author_sort Nadia Fadil
title Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
title_short Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
title_full Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
title_fullStr Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
title_full_unstemmed Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
title_sort brass’art à molenbeek : laboratoire urbain du « faire-ensemble »
publisher Université Saint-Louis Bruxelles
series Brussels Studies
issn 2031-0293
publishDate 2019-11-01
description This paper takes the case of the Brass'Art cultural café located on the municipal square of Molenbeek, as a starting point for a study aimed at understanding the construction of a common urban space with a pluralistic purpose. Based on an ethnographic study between May 2017 and January 2018, this article aims to show how the presence of alcohol in this space mobilises and concentrates diverse and even contradictory repertoires – of a discursive, ethical and emotional nature – behind the creation of public space. The Brass'Art case study reflects at the micro and local level the implications of the coexistence of agents with different religious sensitivities and orientations. According to a pragmatic methodology, this paper tries to demonstrate that the fine tuning of the balance of power between the majority and the minority takes place not so much through conscious negotiations or strategies of “civic indifference”, but through practical adjustments in keeping with the principle of community relations.
topic public space
gentrification
immigration
multiculturalism
url http://journals.openedition.org/brussels/3996
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