Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »
This paper takes the case of the Brass'Art cultural café located on the municipal square of Molenbeek, as a starting point for a study aimed at understanding the construction of a common urban space with a pluralistic purpose. Based on an ethnographic study between May 2017 and January 2018, th...
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Université Saint-Louis Bruxelles
2019-11-01
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Online Access: | http://journals.openedition.org/brussels/3996 |
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doaj-403e20d20cab437b92038ff582884bb12020-11-25T02:32:22ZengUniversité Saint-Louis BruxellesBrussels Studies2031-02932019-11-0110.4000/brussels.3996Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble »Nadia FadilMaryam KollyThis paper takes the case of the Brass'Art cultural café located on the municipal square of Molenbeek, as a starting point for a study aimed at understanding the construction of a common urban space with a pluralistic purpose. Based on an ethnographic study between May 2017 and January 2018, this article aims to show how the presence of alcohol in this space mobilises and concentrates diverse and even contradictory repertoires – of a discursive, ethical and emotional nature – behind the creation of public space. The Brass'Art case study reflects at the micro and local level the implications of the coexistence of agents with different religious sensitivities and orientations. According to a pragmatic methodology, this paper tries to demonstrate that the fine tuning of the balance of power between the majority and the minority takes place not so much through conscious negotiations or strategies of “civic indifference”, but through practical adjustments in keeping with the principle of community relations.http://journals.openedition.org/brussels/3996public spacegentrificationimmigrationmulticulturalism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Nadia Fadil Maryam Kolly |
spellingShingle |
Nadia Fadil Maryam Kolly Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble » Brussels Studies public space gentrification immigration multiculturalism |
author_facet |
Nadia Fadil Maryam Kolly |
author_sort |
Nadia Fadil |
title |
Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble » |
title_short |
Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble » |
title_full |
Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble » |
title_fullStr |
Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble » |
title_full_unstemmed |
Brass’Art à Molenbeek : laboratoire urbain du « faire-ensemble » |
title_sort |
brass’art à molenbeek : laboratoire urbain du « faire-ensemble » |
publisher |
Université Saint-Louis Bruxelles |
series |
Brussels Studies |
issn |
2031-0293 |
publishDate |
2019-11-01 |
description |
This paper takes the case of the Brass'Art cultural café located on the municipal square of Molenbeek, as a starting point for a study aimed at understanding the construction of a common urban space with a pluralistic purpose. Based on an ethnographic study between May 2017 and January 2018, this article aims to show how the presence of alcohol in this space mobilises and concentrates diverse and even contradictory repertoires – of a discursive, ethical and emotional nature – behind the creation of public space. The Brass'Art case study reflects at the micro and local level the implications of the coexistence of agents with different religious sensitivities and orientations. According to a pragmatic methodology, this paper tries to demonstrate that the fine tuning of the balance of power between the majority and the minority takes place not so much through conscious negotiations or strategies of “civic indifference”, but through practical adjustments in keeping with the principle of community relations. |
topic |
public space gentrification immigration multiculturalism |
url |
http://journals.openedition.org/brussels/3996 |
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AT nadiafadil brassartamolenbeeklaboratoireurbaindufaireensemble AT maryamkolly brassartamolenbeeklaboratoireurbaindufaireensemble |
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