Moving Spaces: Mapping the Drama Room as Heterotopia

This article is aimed at exploring the political characteristics of the drama space, which reflects, juxtaposes, and opposes particular sites in a participant’s everyday life, such as the school. By putting spatial theories to work, this article investigates the drama space belonging to an...

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Bibliographic Details
Main Author: Elsa Szatek
Format: Article
Language:English
Published: MDPI AG 2020-03-01
Series:Education Sciences
Subjects:
Online Access:https://www.mdpi.com/2227-7102/10/3/67
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spelling doaj-3fe1f2afb167453ba86aa71f4154e04a2020-11-25T02:07:47ZengMDPI AGEducation Sciences2227-71022020-03-011036710.3390/educsci10030067educsci10030067Moving Spaces: Mapping the Drama Room as HeterotopiaElsa Szatek0Department of Humanities and Social Sciences Education [HSD], Stockholm University, Stockholm 10691, SwedenThis article is aimed at exploring the political characteristics of the drama space, which reflects, juxtaposes, and opposes particular sites in a participant’s everyday life, such as the school. By putting spatial theories to work, this article investigates the drama space belonging to an all-girls community group in Sweden, participation in which is voluntary and where the artistic work produced relies on a democratic process, with the girls’ input being vital. I conceptualise the drama room as a heterotopia that functions as an exclusive and excluding space as a well as a space of resistance. Based on interviews with the girls, this ethnographic study challenges the conventional notion that applied drama is only an interrelational matter between the drama participants. By examining the drama room’s role as the ‘other place’ in the girls’ everyday lives while being connected to ‘everyday’ places, this article demonstrates the drama room as an important space for the girls to have agency, there and elsewhere. When placing space and place in the foreground, a ‘dramaspaceknowledge’ emerges, the influence of which stretches beyond the drama room. This article argues that the girls’ dramaspaceknowledge is utilised when creating a performance and while challenging structures and norms elsewhere, such as in their schools and communities.https://www.mdpi.com/2227-7102/10/3/67community theatreapplied dramaheterotopiasupplementary educationpublic school
collection DOAJ
language English
format Article
sources DOAJ
author Elsa Szatek
spellingShingle Elsa Szatek
Moving Spaces: Mapping the Drama Room as Heterotopia
Education Sciences
community theatre
applied drama
heterotopia
supplementary education
public school
author_facet Elsa Szatek
author_sort Elsa Szatek
title Moving Spaces: Mapping the Drama Room as Heterotopia
title_short Moving Spaces: Mapping the Drama Room as Heterotopia
title_full Moving Spaces: Mapping the Drama Room as Heterotopia
title_fullStr Moving Spaces: Mapping the Drama Room as Heterotopia
title_full_unstemmed Moving Spaces: Mapping the Drama Room as Heterotopia
title_sort moving spaces: mapping the drama room as heterotopia
publisher MDPI AG
series Education Sciences
issn 2227-7102
publishDate 2020-03-01
description This article is aimed at exploring the political characteristics of the drama space, which reflects, juxtaposes, and opposes particular sites in a participant’s everyday life, such as the school. By putting spatial theories to work, this article investigates the drama space belonging to an all-girls community group in Sweden, participation in which is voluntary and where the artistic work produced relies on a democratic process, with the girls’ input being vital. I conceptualise the drama room as a heterotopia that functions as an exclusive and excluding space as a well as a space of resistance. Based on interviews with the girls, this ethnographic study challenges the conventional notion that applied drama is only an interrelational matter between the drama participants. By examining the drama room’s role as the ‘other place’ in the girls’ everyday lives while being connected to ‘everyday’ places, this article demonstrates the drama room as an important space for the girls to have agency, there and elsewhere. When placing space and place in the foreground, a ‘dramaspaceknowledge’ emerges, the influence of which stretches beyond the drama room. This article argues that the girls’ dramaspaceknowledge is utilised when creating a performance and while challenging structures and norms elsewhere, such as in their schools and communities.
topic community theatre
applied drama
heterotopia
supplementary education
public school
url https://www.mdpi.com/2227-7102/10/3/67
work_keys_str_mv AT elsaszatek movingspacesmappingthedramaroomasheterotopia
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