What food do we feed girls as artist upon?
Virginia Woolf in A room of one’s own (1929) builds a strong connection between food and the material conditions of women writers, asking herself: what food do we feed women as artists upon? From this point of view, food can be considered a metaphor for the achievement of both artistic and gender e...
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Wydawnictwo Uniwersytetu Gdańskiego
2020-12-01
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Online Access: | https://czasopisma.bg.ug.edu.pl/index.php/arseducandi/article/view/5606 |
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doaj-3fbd0d48f7c34acd8686cb94fba881782021-09-09T10:47:18ZengWydawnictwo Uniwersytetu GdańskiegoArs Educandi2083-09472657-60582020-12-011717What food do we feed girls as artist upon? Chiara Malpezzi0Università of Padova Virginia Woolf in A room of one’s own (1929) builds a strong connection between food and the material conditions of women writers, asking herself: what food do we feed women as artists upon? From this point of view, food can be considered a metaphor for the achievement of both artistic and gender equality. Hence, my paper aims to outline the relevance of this under-investigated topic in children’s literature, focusing on feminist Künstellromans, namely stories about a female artist’s journey to maturity. Drawing from the methodology of Nodelman, I will investigate two opposite narrative situations: famine and feast. In the first one, the lack of food represents the struggle in the artistic development, often caused by a hostile educational environment, while, in the second, nourishment can be interpreted as fruitful sustainment for the body and soul. My hypothesis seeks to underline how food and girls’ development as women and artists intertwine in children’s literature, figuring out a possible answer to Woolf’s question. https://czasopisma.bg.ug.edu.pl/index.php/arseducandi/article/view/5606children's literatureartistic developmentKünstellromanfoodgender equalityfeast-and-famine binarism |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Chiara Malpezzi |
spellingShingle |
Chiara Malpezzi What food do we feed girls as artist upon? Ars Educandi children's literature artistic development Künstellroman food gender equality feast-and-famine binarism |
author_facet |
Chiara Malpezzi |
author_sort |
Chiara Malpezzi |
title |
What food do we feed girls as artist upon? |
title_short |
What food do we feed girls as artist upon? |
title_full |
What food do we feed girls as artist upon? |
title_fullStr |
What food do we feed girls as artist upon? |
title_full_unstemmed |
What food do we feed girls as artist upon? |
title_sort |
what food do we feed girls as artist upon? |
publisher |
Wydawnictwo Uniwersytetu Gdańskiego |
series |
Ars Educandi |
issn |
2083-0947 2657-6058 |
publishDate |
2020-12-01 |
description |
Virginia Woolf in A room of one’s own (1929) builds a strong connection between food and the material conditions of women writers, asking herself: what food do we feed women as artists upon? From this point of view, food can be considered a metaphor for the achievement of both artistic and gender equality. Hence, my paper aims to outline the relevance of this under-investigated topic in children’s literature, focusing on feminist Künstellromans, namely stories about a female artist’s journey to maturity. Drawing from the methodology of Nodelman, I will investigate two opposite narrative situations: famine and feast. In the first one, the lack of food represents the struggle in the artistic development, often caused by a hostile educational environment, while, in the second, nourishment can be interpreted as fruitful sustainment for the body and soul. My hypothesis seeks to underline how food and girls’ development as women and artists intertwine in children’s literature, figuring out a possible answer to Woolf’s question.
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topic |
children's literature artistic development Künstellroman food gender equality feast-and-famine binarism |
url |
https://czasopisma.bg.ug.edu.pl/index.php/arseducandi/article/view/5606 |
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AT chiaramalpezzi whatfooddowefeedgirlsasartistupon |
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