Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study

There are many practical reasons why experiences of a given musical work tend to be heard repeatedly at the same pitch transposition level, especially recordings of musical works. Yet here, a corpus study is presented that challenges this very basic assumption of music perception. In 2011, an init...

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Bibliographic Details
Main Author: Joseph Plazak
Format: Article
Language:English
Published: The Ohio State University Libraries 2016-07-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v11i1.4972
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spelling doaj-3f67726e8c8c4842a0682fa92ff73b4b2020-11-24T23:35:41ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492016-07-01111889610.18061/emr.v11i1.4972Transpositions Within User-Posted YouTube Lyric Videos: A Corpus StudyJoseph Plazak0Illinois Wesleyan UniversityThere are many practical reasons why experiences of a given musical work tend to be heard repeatedly at the same pitch transposition level, especially recordings of musical works. Yet here, a corpus study is presented that challenges this very basic assumption of music perception. In 2011, an initial corpus of 100 user-posted YouTube videos was collected in order to investigate the prevalence of transposition and tempo alterations within these videos. Results found 42% of these videos contained nominal changes of pitch (36%) and/or tempo (22%). Using the same methodology, a follow-up study was performed in 2015 and found only that 24% of user-posted videos contained these same alterations. Implications for these observations are discussed in light of musical communication models, YouTubeology, and absolute pitch memory.https://doi.org/10.18061/emr.v11i1.4972YouTubeologymusic communication modelsdigital audio manipulationsactive listeners
collection DOAJ
language English
format Article
sources DOAJ
author Joseph Plazak
spellingShingle Joseph Plazak
Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
Empirical Musicology Review
YouTubeology
music communication models
digital audio manipulations
active listeners
author_facet Joseph Plazak
author_sort Joseph Plazak
title Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
title_short Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
title_full Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
title_fullStr Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
title_full_unstemmed Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
title_sort transpositions within user-posted youtube lyric videos: a corpus study
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2016-07-01
description There are many practical reasons why experiences of a given musical work tend to be heard repeatedly at the same pitch transposition level, especially recordings of musical works. Yet here, a corpus study is presented that challenges this very basic assumption of music perception. In 2011, an initial corpus of 100 user-posted YouTube videos was collected in order to investigate the prevalence of transposition and tempo alterations within these videos. Results found 42% of these videos contained nominal changes of pitch (36%) and/or tempo (22%). Using the same methodology, a follow-up study was performed in 2015 and found only that 24% of user-posted videos contained these same alterations. Implications for these observations are discussed in light of musical communication models, YouTubeology, and absolute pitch memory.
topic YouTubeology
music communication models
digital audio manipulations
active listeners
url https://doi.org/10.18061/emr.v11i1.4972
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