Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies

This paper seeks to examine Tadjo’s art of storytelling in As the crow flies, focusing on her approach which is partly surrealistic and partly traditional in blending several artistic modes, such as poetry, narration, drama, myth-making, and imagistic symbols. The examination establish...

Full description

Bibliographic Details
Main Author: Nii Okain Teiko
Format: Article
Language:English
Published: University of Ghana 2015-05-01
Series:Legon Journal of the Humanities
Subjects:
id doaj-3f3eea668d0f4ec483273f5369e52888
record_format Article
spelling doaj-3f3eea668d0f4ec483273f5369e528882020-11-24T22:36:08ZengUniversity of GhanaLegon Journal of the Humanities2458-746X2015-05-012613916210.4314/ljh.v26i1.8Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow fliesNii Okain Teiko0Methodist University College, Accra - GhanaThis paper seeks to examine Tadjo’s art of storytelling in As the crow flies, focusing on her approach which is partly surrealistic and partly traditional in blending several artistic modes, such as poetry, narration, drama, myth-making, and imagistic symbols. The examination establishes Tadjo’s style in the art of storytelling as an innovator who breaks with the traditional relationships between narration and plot; and introduces a fluid and liberating style which has “no frontiers”. This approach ofpostmodernism radicalizes the traditional mode and subverts the craft of storytelling. The paper makes the claim that Tadjo utilizes several principles of surrealism to relate the disconnection and unreality of human stories in which the unconscious is used as a source material to deal with life’s ills and traumas.micro - textsurrealismouter framefemino - centricimagistic symbols
collection DOAJ
language English
format Article
sources DOAJ
author Nii Okain Teiko
spellingShingle Nii Okain Teiko
Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies
Legon Journal of the Humanities
micro - text
surrealism
outer frame
femino - centric
imagistic symbols
author_facet Nii Okain Teiko
author_sort Nii Okain Teiko
title Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies
title_short Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies
title_full Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies
title_fullStr Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies
title_full_unstemmed Surrealism, Subversion, and S torytelling in Véronique Tadjo’s As the crow flies
title_sort surrealism, subversion, and s torytelling in véronique tadjo’s as the crow flies
publisher University of Ghana
series Legon Journal of the Humanities
issn 2458-746X
publishDate 2015-05-01
description This paper seeks to examine Tadjo’s art of storytelling in As the crow flies, focusing on her approach which is partly surrealistic and partly traditional in blending several artistic modes, such as poetry, narration, drama, myth-making, and imagistic symbols. The examination establishes Tadjo’s style in the art of storytelling as an innovator who breaks with the traditional relationships between narration and plot; and introduces a fluid and liberating style which has “no frontiers”. This approach ofpostmodernism radicalizes the traditional mode and subverts the craft of storytelling. The paper makes the claim that Tadjo utilizes several principles of surrealism to relate the disconnection and unreality of human stories in which the unconscious is used as a source material to deal with life’s ills and traumas.
topic micro - text
surrealism
outer frame
femino - centric
imagistic symbols
work_keys_str_mv AT niiokainteiko surrealismsubversionandstorytellinginveroniquetadjosasthecrowflies
_version_ 1725721129615622144