Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento
This article examines theatrical representations and performances that quote pictures or sculptures recreated on the scene by means of the bodies of the actors. These shows, which date back to the eighteenth and nineteenth centuries, often addressed the popular audience that attended the theatres in...
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| Format: | Article |
| Language: | English |
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Prof. Rinaldo Rinaldi
2017-06-01
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| Series: | Parole Rubate : Rivista Internazionale di Studi sulla Citazione |
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| Online Access: | http://www.parolerubate.unipr.it/fascicolo15_pdf/F15_4_ranzini_quadri.pdf |
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doaj-3e6ecaa00140425baf2df7b269d23077 |
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Article |
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doaj-3e6ecaa00140425baf2df7b269d230772021-02-02T05:57:04ZengProf. Rinaldo RinaldiParole Rubate : Rivista Internazionale di Studi sulla Citazione2039-01142017-06-018153550Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e OttocentoPaola Ranzini0Université d’Avignon et des Pays de VaucluseThis article examines theatrical representations and performances that quote pictures or sculptures recreated on the scene by means of the bodies of the actors. These shows, which date back to the eighteenth and nineteenth centuries, often addressed the popular audience that attended the theatres in Paris in the form of vaudevilles, equestrian or acrobatic performances. Usually, the audience was familiar with the works of art quoted and recreated on such occasions: citations worked as a game of recognition, often with comic or parodic ends. http://www.parolerubate.unipr.it/fascicolo15_pdf/F15_4_ranzini_quadri.pdftheatrevisual artsperformances |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Paola Ranzini |
| spellingShingle |
Paola Ranzini Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento Parole Rubate : Rivista Internazionale di Studi sulla Citazione theatre visual arts performances |
| author_facet |
Paola Ranzini |
| author_sort |
Paola Ranzini |
| title |
Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento |
| title_short |
Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento |
| title_full |
Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento |
| title_fullStr |
Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento |
| title_full_unstemmed |
Citazione come ‘performance’. Quadri viventi e pose plastiche fra Sette e Ottocento |
| title_sort |
citazione come ‘performance’. quadri viventi e pose plastiche fra sette e ottocento |
| publisher |
Prof. Rinaldo Rinaldi |
| series |
Parole Rubate : Rivista Internazionale di Studi sulla Citazione |
| issn |
2039-0114 |
| publishDate |
2017-06-01 |
| description |
This article examines theatrical representations and performances that quote pictures or sculptures recreated on the scene by means of the bodies of the actors. These shows, which date back to the eighteenth and nineteenth centuries, often addressed the popular audience that attended the theatres in Paris in the form of vaudevilles, equestrian or acrobatic performances. Usually, the audience was familiar with the works of art quoted and recreated on such occasions: citations worked as a game of recognition, often with comic or parodic ends. |
| topic |
theatre visual arts performances |
| url |
http://www.parolerubate.unipr.it/fascicolo15_pdf/F15_4_ranzini_quadri.pdf |
| work_keys_str_mv |
AT paolaranzini citazionecomeperformancequadriviventieposeplastichefrasetteeottocento |
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1724302321562681344 |