Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
As education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article e...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
SAGE Publishing
2021-04-01
|
Series: | International Journal of Qualitative Methods |
Online Access: | https://doi.org/10.1177/1609406921998917 |
id |
doaj-3e42fc6a561c4e32b315ab9ce4463173 |
---|---|
record_format |
Article |
spelling |
doaj-3e42fc6a561c4e32b315ab9ce44631732021-04-27T21:34:13ZengSAGE PublishingInternational Journal of Qualitative Methods1609-40692021-04-012010.1177/1609406921998917Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as AffectEllie Haberl0 University of Colorado, Boulder, CO, USAAs education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article explores the question of attending to affect in education research by drawing on research conducted in a seventh grade classroom in a mid-sized city in the western United States, where students were explicitly invited to ground argumentative writing in lived experiences that were significant to them, including those experiences often deemed difficult and thus saturated with affective intensities. Invited to use visual arts-based methods of representing the felt dimension of the project, participants used both color and abstract design as a method for representing the complexity of these affective intensities. The author makes an argument for this visual method of representation that invites students to illustrate their affective experience in ways that maintain its complex, contrasting and often non-linguistic nature.https://doi.org/10.1177/1609406921998917 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ellie Haberl |
spellingShingle |
Ellie Haberl Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect International Journal of Qualitative Methods |
author_facet |
Ellie Haberl |
author_sort |
Ellie Haberl |
title |
Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect |
title_short |
Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect |
title_full |
Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect |
title_fullStr |
Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect |
title_full_unstemmed |
Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect |
title_sort |
lower case : bridging affect theory and arts-based education research to explore color as affect |
publisher |
SAGE Publishing |
series |
International Journal of Qualitative Methods |
issn |
1609-4069 |
publishDate |
2021-04-01 |
description |
As education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article explores the question of attending to affect in education research by drawing on research conducted in a seventh grade classroom in a mid-sized city in the western United States, where students were explicitly invited to ground argumentative writing in lived experiences that were significant to them, including those experiences often deemed difficult and thus saturated with affective intensities. Invited to use visual arts-based methods of representing the felt dimension of the project, participants used both color and abstract design as a method for representing the complexity of these affective intensities. The author makes an argument for this visual method of representation that invites students to illustrate their affective experience in ways that maintain its complex, contrasting and often non-linguistic nature. |
url |
https://doi.org/10.1177/1609406921998917 |
work_keys_str_mv |
AT elliehaberl lowercasebridgingaffecttheoryandartsbasededucationresearchtoexplorecolorasaffect |
_version_ |
1721505639566409728 |