Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect

As education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article e...

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Main Author: Ellie Haberl
Format: Article
Language:English
Published: SAGE Publishing 2021-04-01
Series:International Journal of Qualitative Methods
Online Access:https://doi.org/10.1177/1609406921998917
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spelling doaj-3e42fc6a561c4e32b315ab9ce44631732021-04-27T21:34:13ZengSAGE PublishingInternational Journal of Qualitative Methods1609-40692021-04-012010.1177/1609406921998917Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as AffectEllie Haberl0 University of Colorado, Boulder, CO, USAAs education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article explores the question of attending to affect in education research by drawing on research conducted in a seventh grade classroom in a mid-sized city in the western United States, where students were explicitly invited to ground argumentative writing in lived experiences that were significant to them, including those experiences often deemed difficult and thus saturated with affective intensities. Invited to use visual arts-based methods of representing the felt dimension of the project, participants used both color and abstract design as a method for representing the complexity of these affective intensities. The author makes an argument for this visual method of representation that invites students to illustrate their affective experience in ways that maintain its complex, contrasting and often non-linguistic nature.https://doi.org/10.1177/1609406921998917
collection DOAJ
language English
format Article
sources DOAJ
author Ellie Haberl
spellingShingle Ellie Haberl
Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
International Journal of Qualitative Methods
author_facet Ellie Haberl
author_sort Ellie Haberl
title Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
title_short Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
title_full Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
title_fullStr Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
title_full_unstemmed Lower Case : Bridging Affect Theory and Arts-Based Education Research to Explore Color as Affect
title_sort lower case : bridging affect theory and arts-based education research to explore color as affect
publisher SAGE Publishing
series International Journal of Qualitative Methods
issn 1609-4069
publishDate 2021-04-01
description As education researchers increase our focus on affect as a crucial dimension of school practice and pedagogy, we also have the responsibility of taking up the paradoxical nature of seeking to represent and analyze moments of feeling that, by their very nature, evade our understanding. This article explores the question of attending to affect in education research by drawing on research conducted in a seventh grade classroom in a mid-sized city in the western United States, where students were explicitly invited to ground argumentative writing in lived experiences that were significant to them, including those experiences often deemed difficult and thus saturated with affective intensities. Invited to use visual arts-based methods of representing the felt dimension of the project, participants used both color and abstract design as a method for representing the complexity of these affective intensities. The author makes an argument for this visual method of representation that invites students to illustrate their affective experience in ways that maintain its complex, contrasting and often non-linguistic nature.
url https://doi.org/10.1177/1609406921998917
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