'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre
The Jallianwala Bagh massacre in Amritsar in 1919 paved the way for the independence of India and Pakistan. The paper looks at the narrative strategies of representing the incident in two novels that recount it, Salman Rushdie’s Midnight’s Children and Shauna Singh Baldwin’s What the Body Remembers....
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Universitat Autònoma de Barcelona
2014-04-01
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Series: | Indialogs: Spanish Journal of India Studies |
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Online Access: | http://revistes.uab.cat/indialogs/article/view/v1-kuortti/pdf |
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doaj-3e12b4345f784a12a36067d7d618c1892020-11-25T00:56:36ZengUniversitat Autònoma de BarcelonaIndialogs: Spanish Journal of India Studies 2339-85232339-85232014-04-0113850'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre Joel Kuortti0University of TurkuThe Jallianwala Bagh massacre in Amritsar in 1919 paved the way for the independence of India and Pakistan. The paper looks at the narrative strategies of representing the incident in two novels that recount it, Salman Rushdie’s Midnight’s Children and Shauna Singh Baldwin’s What the Body Remembers. How do these texts engage with the colonial political situation? How do the two writers see the repercussions of the incident for the time of their narratives?http://revistes.uab.cat/indialogs/article/view/v1-kuortti/pdfSalman Rushdie; Shauna Singh Baldwin; Jallianwala Bagh massacre; colonial politics; narrative strategies; representation |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Joel Kuortti |
spellingShingle |
Joel Kuortti 'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre Indialogs: Spanish Journal of India Studies Salman Rushdie; Shauna Singh Baldwin; Jallianwala Bagh massacre; colonial politics; narrative strategies; representation |
author_facet |
Joel Kuortti |
author_sort |
Joel Kuortti |
title |
'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre |
title_short |
'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre |
title_full |
'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre |
title_fullStr |
'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre |
title_full_unstemmed |
'One Thousand, Six Hundred and Fifty Rounds': Colonial Violence in the Representations of the Jallianwala Bagh Massacre |
title_sort |
'one thousand, six hundred and fifty rounds': colonial violence in the representations of the jallianwala bagh massacre |
publisher |
Universitat Autònoma de Barcelona |
series |
Indialogs: Spanish Journal of India Studies |
issn |
2339-8523 2339-8523 |
publishDate |
2014-04-01 |
description |
The Jallianwala Bagh massacre in Amritsar in 1919 paved the way for the independence of India and Pakistan. The paper looks at the narrative strategies of representing the incident in two novels that recount it, Salman Rushdie’s Midnight’s Children and Shauna Singh Baldwin’s What the Body Remembers. How do these texts engage with the colonial political situation? How do the two writers see the repercussions of the incident for the time of their narratives? |
topic |
Salman Rushdie; Shauna Singh Baldwin; Jallianwala Bagh massacre; colonial politics; narrative strategies; representation |
url |
http://revistes.uab.cat/indialogs/article/view/v1-kuortti/pdf |
work_keys_str_mv |
AT joelkuortti onethousandsixhundredandfiftyroundscolonialviolenceintherepresentationsofthejallianwalabaghmassacre |
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