Epistemological Matrix of Contemporary Visual Culture
The mental structure of the hipermodern West, which has been compounded since the Renaissance until today, reflecting a complex mutation of the collective and individual view of the world, maintaining a radical change of Western epistemology of perception and interpretation of the world. After the “...
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Center for Philosophy of Media and Media Research
2018-05-01
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doaj-3dc09d03bcde488d937a32702f62a6d82020-11-25T03:21:26ZengCenter for Philosophy of Media and Media ResearchIn Medias Res1848-63042018-05-0171218511870Epistemological Matrix of Contemporary Visual CultureJure Vujić0Institute for Geopolitics and Strategic Research, ZagrebThe mental structure of the hipermodern West, which has been compounded since the Renaissance until today, reflecting a complex mutation of the collective and individual view of the world, maintaining a radical change of Western epistemology of perception and interpretation of the world. After the “culture as a picture” as opposed to “culture as a text” we may find ourselves in another type of reduction - those of visual awareness and all-time internalized videocentrism that dissolving the heritage of Western-European metaphysics that pervades social and humanistic sciences until the end of the 20th century. Such long picture’s autonomization and emancipation of language, speech and script reveals the philosophical and metapolitical matrices of so-called “ West- visual scope” as a kind of visual obsession.http://www.centar-fm.org/inmediasres/images/pdf/12/J.%20Vujic,%20Epistemoloske%20matrice%20suvremene%20vizualne%20kulture,%20uvod%20u%20zapadnoskopiju.pdfhipermodern westvisualculturewestpostmodernityscopepicturematrixespistemology |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Jure Vujić |
spellingShingle |
Jure Vujić Epistemological Matrix of Contemporary Visual Culture In Medias Res hipermodern west visual culture west postmodernity scope picture matrix espistemology |
author_facet |
Jure Vujić |
author_sort |
Jure Vujić |
title |
Epistemological Matrix of Contemporary Visual Culture |
title_short |
Epistemological Matrix of Contemporary Visual Culture |
title_full |
Epistemological Matrix of Contemporary Visual Culture |
title_fullStr |
Epistemological Matrix of Contemporary Visual Culture |
title_full_unstemmed |
Epistemological Matrix of Contemporary Visual Culture |
title_sort |
epistemological matrix of contemporary visual culture |
publisher |
Center for Philosophy of Media and Media Research |
series |
In Medias Res |
issn |
1848-6304 |
publishDate |
2018-05-01 |
description |
The mental structure of the hipermodern West, which has been compounded since the Renaissance until today, reflecting a complex mutation of the collective and individual view of the world, maintaining a radical change of Western epistemology of perception and interpretation of the world. After the “culture as a picture” as opposed to “culture as a text” we may find ourselves in another type of reduction - those of visual awareness and all-time internalized videocentrism that dissolving the heritage of Western-European metaphysics that pervades social and humanistic sciences until the end of the 20th century. Such long picture’s autonomization and emancipation of language, speech and script reveals the philosophical and metapolitical matrices of so-called “ West- visual scope” as a kind of visual obsession. |
topic |
hipermodern west visual culture west postmodernity scope picture matrix espistemology |
url |
http://www.centar-fm.org/inmediasres/images/pdf/12/J.%20Vujic,%20Epistemoloske%20matrice%20suvremene%20vizualne%20kulture,%20uvod%20u%20zapadnoskopiju.pdf |
work_keys_str_mv |
AT jurevujic epistemologicalmatrixofcontemporaryvisualculture |
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