The impact of viewer’s emotional tension on the choice of films

The author analyses peculiarities of choices of motion pictures with different dy- namic characteristics, taking into consideration spectator’s subjective perception of in- tenseness of his or her life in time perspective. The student participants were offered a choice of 16 films from which they we...

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Main Author: Voskresenskaya N.G.
Format: Article
Language:Russian
Published: Moscow State University of Psychology and Education 2016-12-01
Series:Социальная психология и общество
Online Access:http://psyjournals.ru/en/social_psy/2016/n3/voskresenskaya.shtml
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spelling doaj-3da229627886442fa46dfe997538d5e32020-11-25T02:38:41ZrusMoscow State University of Psychology and EducationСоциальная психология и общество2221-15272311-70522016-12-017312113410.17759/sps.2016070309The impact of viewer’s emotional tension on the choice of filmsVoskresenskaya N.G.0Nizhny Novgorod State University, Nizhniy Novgorod, RussiaThe author analyses peculiarities of choices of motion pictures with different dy- namic characteristics, taking into consideration spectator’s subjective perception of in- tenseness of his or her life in time perspective. The student participants were offered a choice of 16 films from which they were required to select the one they would prefer to watch at the moment. The film set was formed based on the ratings of films that are popular amongst students, in which survey 187 students participated. The selected films differed in terms of temporal and dynamic characteristics, and they were famil- iar to all the 60 participants in the sample. The students were also required to rate the fullness of their life in temporal perspective. The analysis of the data revealed that the film preference appears to be compensatory in nature. The perception of one’s life as boring and barren determines the choice of dynamic films with stimulation of forced attention by means of attention reflex and actualization of basic needs. The percep- tion of one's life as dynamic and full of new experiences contributes to the selection of circumstantial cinematic narrative and stimulation of voluntary attention through actualization of social needs. http://psyjournals.ru/en/social_psy/2016/n3/voskresenskaya.shtml
collection DOAJ
language Russian
format Article
sources DOAJ
author Voskresenskaya N.G.
spellingShingle Voskresenskaya N.G.
The impact of viewer’s emotional tension on the choice of films
Социальная психология и общество
author_facet Voskresenskaya N.G.
author_sort Voskresenskaya N.G.
title The impact of viewer’s emotional tension on the choice of films
title_short The impact of viewer’s emotional tension on the choice of films
title_full The impact of viewer’s emotional tension on the choice of films
title_fullStr The impact of viewer’s emotional tension on the choice of films
title_full_unstemmed The impact of viewer’s emotional tension on the choice of films
title_sort impact of viewer’s emotional tension on the choice of films
publisher Moscow State University of Psychology and Education
series Социальная психология и общество
issn 2221-1527
2311-7052
publishDate 2016-12-01
description The author analyses peculiarities of choices of motion pictures with different dy- namic characteristics, taking into consideration spectator’s subjective perception of in- tenseness of his or her life in time perspective. The student participants were offered a choice of 16 films from which they were required to select the one they would prefer to watch at the moment. The film set was formed based on the ratings of films that are popular amongst students, in which survey 187 students participated. The selected films differed in terms of temporal and dynamic characteristics, and they were famil- iar to all the 60 participants in the sample. The students were also required to rate the fullness of their life in temporal perspective. The analysis of the data revealed that the film preference appears to be compensatory in nature. The perception of one’s life as boring and barren determines the choice of dynamic films with stimulation of forced attention by means of attention reflex and actualization of basic needs. The percep- tion of one's life as dynamic and full of new experiences contributes to the selection of circumstantial cinematic narrative and stimulation of voluntary attention through actualization of social needs.
url http://psyjournals.ru/en/social_psy/2016/n3/voskresenskaya.shtml
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