Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean

This essay explores the question of Frantz Fanon’s relevance to the contemporary Caribbean in the context of his views, articulated in 'Peau noire, masques blancs' and 'Les Damnés de la terre', on the psychological legacy of the violence of colonialism and his proposed solution f...

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Main Author: E. Anthony Hurley
Format: Article
Language:English
Published: Stockholm University Press 2015-11-01
Series:Karib
Online Access:https://www.karib.no/articles/31
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spelling doaj-3d527e350c3744a5a22c17306af1e8812020-11-24T21:09:57ZengStockholm University PressKarib1894-84212387-67432015-11-012110.16993/karib.3130Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the CaribbeanE. Anthony Hurley0Stony Brook University, NYThis essay explores the question of Frantz Fanon’s relevance to the contemporary Caribbean in the context of his views, articulated in 'Peau noire, masques blancs' and 'Les Damnés de la terre', on the psychological legacy of the violence of colonialism and his proposed solution for psychological and political decolonization. In the 21st century context, technological advances in the area of communication extend the promise of a brave new world, which minimizes or even erases the importance of an individual’s visual (visible) persona. Drawing on illustrations from his native land of Barbados, as a territory with a history of colonization similar to that of Fanon’s native Martinique, this author offers insights into Fanon’s importance to contemporary generations of Caribbean people emerging in the context of a globalized, virtual environment that, while diminishing the significance of the visual in relation to the skin color of individuals, tends to mask the persistence of new permutations of neo-colonial, racialized ideologies.https://www.karib.no/articles/31
collection DOAJ
language English
format Article
sources DOAJ
author E. Anthony Hurley
spellingShingle E. Anthony Hurley
Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean
Karib
author_facet E. Anthony Hurley
author_sort E. Anthony Hurley
title Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean
title_short Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean
title_full Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean
title_fullStr Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean
title_full_unstemmed Visual Skin, Virtual Masks: Frantz Fanon’s Legacy and the Caribbean
title_sort visual skin, virtual masks: frantz fanon’s legacy and the caribbean
publisher Stockholm University Press
series Karib
issn 1894-8421
2387-6743
publishDate 2015-11-01
description This essay explores the question of Frantz Fanon’s relevance to the contemporary Caribbean in the context of his views, articulated in 'Peau noire, masques blancs' and 'Les Damnés de la terre', on the psychological legacy of the violence of colonialism and his proposed solution for psychological and political decolonization. In the 21st century context, technological advances in the area of communication extend the promise of a brave new world, which minimizes or even erases the importance of an individual’s visual (visible) persona. Drawing on illustrations from his native land of Barbados, as a territory with a history of colonization similar to that of Fanon’s native Martinique, this author offers insights into Fanon’s importance to contemporary generations of Caribbean people emerging in the context of a globalized, virtual environment that, while diminishing the significance of the visual in relation to the skin color of individuals, tends to mask the persistence of new permutations of neo-colonial, racialized ideologies.
url https://www.karib.no/articles/31
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