Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak

Faced with Karl Lakolak’s Érographies d’incorporelles, we ask what is left of the bodies thus ex-posed and on whose skins he writes: nothing, except precisely the infinité variation on the very construction of bodies, in a singular saraband. Anthropologists can only turn to their poor little notions...

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Main Author: Dominique Chevé
Format: Article
Language:fra
Published: Pléiade (EA 7338) 2009-05-01
Series:Itinéraires
Subjects:
Online Access:http://journals.openedition.org/itineraires/398
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spelling doaj-3cb6575b71fc404aa8ce8efd4e9026b12020-11-25T02:43:17ZfraPléiade (EA 7338)Itinéraires2427-920X2009-05-012009118118910.4000/itineraires.398Éléments d’anthropo-logique : à propos des corpographies de Karl LakolakDominique ChevéFaced with Karl Lakolak’s Érographies d’incorporelles, we ask what is left of the bodies thus ex-posed and on whose skins he writes: nothing, except precisely the infinité variation on the very construction of bodies, in a singular saraband. Anthropologists can only turn to their poor little notions, muddled and ugly, of “bio-socio-culturality” of bodies. Through this kaleidoscope of variegated bodies, the body itself seems to vanish, to fade away at the work’s surface. Yet, bodies continue in their peculiar opaqueness, beyond the excess of chromatic violence: bodies that maintain their shapes beyond the fragmentation of collages and cut-ups; bodies, rough-hewn, naked, dense beyond their make-ups, disguises, and other markings, beyond the layers, the traces, the masks and the reliefs or the scrambling and costuming—paint, fabric, or plastic. In short, these bodies assert their sexe(s) and their desire(s), their lives, beyond gender hybridization and death, perhaps because, like death, desire gives shape, takes shape, is a factor of shape. Lakolak’s work puts man at the edge of the abyss in Corporeal Vanities that refer to the intertwining of all rituals as well as to the miscegenation of forces, shapes, humors, and materials: Ecce homo in the bodies’ multiple singularities.http://journals.openedition.org/itineraires/398anthropo-logicbodybioculturalitymiscegenationcollectionritual
collection DOAJ
language fra
format Article
sources DOAJ
author Dominique Chevé
spellingShingle Dominique Chevé
Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak
Itinéraires
anthropo-logic
body
bioculturality
miscegenation
collection
ritual
author_facet Dominique Chevé
author_sort Dominique Chevé
title Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak
title_short Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak
title_full Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak
title_fullStr Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak
title_full_unstemmed Éléments d’anthropo-logique : à propos des corpographies de Karl Lakolak
title_sort éléments d’anthropo-logique : à propos des corpographies de karl lakolak
publisher Pléiade (EA 7338)
series Itinéraires
issn 2427-920X
publishDate 2009-05-01
description Faced with Karl Lakolak’s Érographies d’incorporelles, we ask what is left of the bodies thus ex-posed and on whose skins he writes: nothing, except precisely the infinité variation on the very construction of bodies, in a singular saraband. Anthropologists can only turn to their poor little notions, muddled and ugly, of “bio-socio-culturality” of bodies. Through this kaleidoscope of variegated bodies, the body itself seems to vanish, to fade away at the work’s surface. Yet, bodies continue in their peculiar opaqueness, beyond the excess of chromatic violence: bodies that maintain their shapes beyond the fragmentation of collages and cut-ups; bodies, rough-hewn, naked, dense beyond their make-ups, disguises, and other markings, beyond the layers, the traces, the masks and the reliefs or the scrambling and costuming—paint, fabric, or plastic. In short, these bodies assert their sexe(s) and their desire(s), their lives, beyond gender hybridization and death, perhaps because, like death, desire gives shape, takes shape, is a factor of shape. Lakolak’s work puts man at the edge of the abyss in Corporeal Vanities that refer to the intertwining of all rituals as well as to the miscegenation of forces, shapes, humors, and materials: Ecce homo in the bodies’ multiple singularities.
topic anthropo-logic
body
bioculturality
miscegenation
collection
ritual
url http://journals.openedition.org/itineraires/398
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