Ethical Dimensions of Music Information Retrieval Technology

This article examines ethical dimensions of Music Information Retrieval (MIR) technology. It uses practical ethics (especially computer ethics and engineering ethics) and socio-technical approaches to provide a theoretical basis that can inform discussions of ethics in MIR. To help ground the discus...

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Main Authors: Andre Holzapfel, Bob L. Sturm, Mark Coeckelbergh
Format: Article
Language:English
Published: Ubiquity Press 2018-09-01
Series:Transactions of the International Society for Music Information Retrieval
Subjects:
Online Access:https://transactions.ismir.net/articles/13
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spelling doaj-3cb4e1e31a24410fb97616fe0223e1f22020-11-25T03:30:34ZengUbiquity PressTransactions of the International Society for Music Information Retrieval2514-32982018-09-0111445510.5334/tismir.137Ethical Dimensions of Music Information Retrieval TechnologyAndre Holzapfel0Bob L. Sturm1Mark Coeckelbergh2Department of Media Technology and Interaction Design, KTH Royal Institute of Technology, StockholmSpeech, Music and Hearing Division, KTH Royal Institute of Technology, StockholmDepartment of Philosophy, University of Vienna, ViennaThis article examines ethical dimensions of Music Information Retrieval (MIR) technology. It uses practical ethics (especially computer ethics and engineering ethics) and socio-technical approaches to provide a theoretical basis that can inform discussions of ethics in MIR. To help ground the discussion, the article engages with concrete examples and discourse drawn from the MIR field. This article argues that MIR technology is not value-neutral but is influenced by design choices, and so has unintended and ethically relevant implications. These can be invisible unless one considers how the technology relates to wider society. The article points to the blurring of boundaries between music and technology, and frames music as “informationally enriched” and as a “total social fact.” The article calls attention to biases that are introduced by algorithms and data used for MIR technology, cultural issues related to copyright, and ethical problems in MIR as a scientific practice. The article concludes with tentative ethical guidelines for MIR developers, and calls for addressing key ethical problems with MIR technology and practice, especially those related to forms of bias and the remoteness of the technology development from end users.https://transactions.ismir.net/articles/13EthicsMusic Information RetrievalBiasSocio-Technical Approach
collection DOAJ
language English
format Article
sources DOAJ
author Andre Holzapfel
Bob L. Sturm
Mark Coeckelbergh
spellingShingle Andre Holzapfel
Bob L. Sturm
Mark Coeckelbergh
Ethical Dimensions of Music Information Retrieval Technology
Transactions of the International Society for Music Information Retrieval
Ethics
Music Information Retrieval
Bias
Socio-Technical Approach
author_facet Andre Holzapfel
Bob L. Sturm
Mark Coeckelbergh
author_sort Andre Holzapfel
title Ethical Dimensions of Music Information Retrieval Technology
title_short Ethical Dimensions of Music Information Retrieval Technology
title_full Ethical Dimensions of Music Information Retrieval Technology
title_fullStr Ethical Dimensions of Music Information Retrieval Technology
title_full_unstemmed Ethical Dimensions of Music Information Retrieval Technology
title_sort ethical dimensions of music information retrieval technology
publisher Ubiquity Press
series Transactions of the International Society for Music Information Retrieval
issn 2514-3298
publishDate 2018-09-01
description This article examines ethical dimensions of Music Information Retrieval (MIR) technology. It uses practical ethics (especially computer ethics and engineering ethics) and socio-technical approaches to provide a theoretical basis that can inform discussions of ethics in MIR. To help ground the discussion, the article engages with concrete examples and discourse drawn from the MIR field. This article argues that MIR technology is not value-neutral but is influenced by design choices, and so has unintended and ethically relevant implications. These can be invisible unless one considers how the technology relates to wider society. The article points to the blurring of boundaries between music and technology, and frames music as “informationally enriched” and as a “total social fact.” The article calls attention to biases that are introduced by algorithms and data used for MIR technology, cultural issues related to copyright, and ethical problems in MIR as a scientific practice. The article concludes with tentative ethical guidelines for MIR developers, and calls for addressing key ethical problems with MIR technology and practice, especially those related to forms of bias and the remoteness of the technology development from end users.
topic Ethics
Music Information Retrieval
Bias
Socio-Technical Approach
url https://transactions.ismir.net/articles/13
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