Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento
The article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are...
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2019-12-01
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Online Access: | https://www.ricerchedisconfine.info/dossier-5/LIGORE.htm |
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doaj-3c17190077a94daaa63a6a2e155e898c2020-11-25T02:02:54ZengUniversità di ParmaRicerche di S/Confine2038-84112019-12-01Dossier 52136Prima del Traité? Alternative possibili per lo studio della corporeità del primo OttocentoBruno LigoreThe article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are, in theatrical dance, linked to connoisseurship practice and the perception of classical iconography through technique, aesthetic and moral values. In addition to Blasis’ unmissable work for dance practice knowledge in this period (Traité élémentaire, théorique et pratique de l'art de la danse, 1820) the author gives a glimpse of some understimate works: Théorie du geste (1813) of painter Jacques-Nicolas Paillot de Montabert, and some exemples of choreographical tools made by Jean Aumer and André Jean- Jacques Deshayes (1800-1823).https://www.ricerchedisconfine.info/dossier-5/LIGORE.htmdanza teatralecarlo blasisjacques-nicolas paillot de montabertjean aumerandré jean-jacques deshayes |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Bruno Ligore |
spellingShingle |
Bruno Ligore Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento Ricerche di S/Confine danza teatrale carlo blasis jacques-nicolas paillot de montabert jean aumer andré jean-jacques deshayes |
author_facet |
Bruno Ligore |
author_sort |
Bruno Ligore |
title |
Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento |
title_short |
Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento |
title_full |
Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento |
title_fullStr |
Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento |
title_full_unstemmed |
Prima del Traité? Alternative possibili per lo studio della corporeità del primo Ottocento |
title_sort |
prima del traité? alternative possibili per lo studio della corporeità del primo ottocento |
publisher |
Università di Parma |
series |
Ricerche di S/Confine |
issn |
2038-8411 |
publishDate |
2019-12-01 |
description |
The article aims to explore alternative ways to approach theatrical dance research between the XVIIIth
and the XIXth centuries, despite of the lack of technical manuals published at the time. A special
relationship with the rediscovery of classical antiquity influenced creative processes which are, in
theatrical dance, linked to connoisseurship practice and the perception of classical iconography through
technique, aesthetic and moral values. In addition to Blasis’ unmissable work for dance practice
knowledge in this period (Traité élémentaire, théorique et pratique de l'art de la danse, 1820) the author
gives a glimpse of some understimate works: Théorie du geste (1813) of painter Jacques-Nicolas Paillot
de Montabert, and some exemples of choreographical tools made by Jean Aumer and André Jean-
Jacques Deshayes (1800-1823). |
topic |
danza teatrale carlo blasis jacques-nicolas paillot de montabert jean aumer andré jean-jacques deshayes |
url |
https://www.ricerchedisconfine.info/dossier-5/LIGORE.htm |
work_keys_str_mv |
AT brunoligore primadeltraitealternativepossibiliperlostudiodellacorporeitadelprimoottocento |
_version_ |
1724950777250709504 |