Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia

In this paper, I analyze the poetry of witness written by five Colombian writers between 2000 and 2016 (Anabel Torres, Cristina Valcke Valbuena, Nana Rodríguez, Camila Charry, Andrea Cote). This trend of the poetry has been forgotten by Colombian literary criticism. Howev...

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Main Author: Angélica Hoyos Guzmán
Format: Article
Language:Spanish
Published: Universidad del Valle 2018-12-01
Series:La Manzana de la Discordia
Subjects:
Online Access:http://revistas.univalle.edu.co/index.php/la_manzana_de_la_discordia/article/view/6729/9746
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spelling doaj-3bde1dd38bb64b028c3311e69ed4c4ab2020-11-25T01:35:01ZspaUniversidad del ValleLa Manzana de la Discordia1900-79222500-67382018-12-0113272010.25100/lamanzanadeladiscordia.v13i2.6729Poesía testimonial escrita por mujeres:memoria de la violencia en ColombiaAngélica Hoyos Guzmán0Universidad de MagdalenaIn this paper, I analyze the poetry of witness written by five Colombian writers between 2000 and 2016 (Anabel Torres, Cristina Valcke Valbuena, Nana Rodríguez, Camila Charry, Andrea Cote). This trend of the poetry has been forgotten by Colombian literary criticism. However, it accounts for the memory of contemporary violence in the country. By using the approach of critique of memory and the affective turn, I analyze the relations between the poetry of witness written by women and the militancy in front of the patriarchal system of the war. I find the communality of poetry in a sensibility that speaks from the place of oppression, not only generic but from the marginalization of the victims, from the dis/appropriation techniques or post-autonomous writings and from the political-affective, ethical and philosophical positions of the women writers. The language of the testimony and the remains of the materiality of the body-word, that deny the representation and recreate the intensities of the woman’s imagination, create two places of enunciation: the denunciation of the oppression made on the survivors and the resistance to turning them into objects of a banal and hegemonic discourse of memory, or the manifestation of women’s experience in war.http://revistas.univalle.edu.co/index.php/la_manzana_de_la_discordia/article/view/6729/9746Testimonial poetryfemale writingcritique of memoryaffective turnsurvival
collection DOAJ
language Spanish
format Article
sources DOAJ
author Angélica Hoyos Guzmán
spellingShingle Angélica Hoyos Guzmán
Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia
La Manzana de la Discordia
Testimonial poetry
female writing
critique of memory
affective turn
survival
author_facet Angélica Hoyos Guzmán
author_sort Angélica Hoyos Guzmán
title Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia
title_short Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia
title_full Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia
title_fullStr Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia
title_full_unstemmed Poesía testimonial escrita por mujeres:memoria de la violencia en Colombia
title_sort poesía testimonial escrita por mujeres:memoria de la violencia en colombia
publisher Universidad del Valle
series La Manzana de la Discordia
issn 1900-7922
2500-6738
publishDate 2018-12-01
description In this paper, I analyze the poetry of witness written by five Colombian writers between 2000 and 2016 (Anabel Torres, Cristina Valcke Valbuena, Nana Rodríguez, Camila Charry, Andrea Cote). This trend of the poetry has been forgotten by Colombian literary criticism. However, it accounts for the memory of contemporary violence in the country. By using the approach of critique of memory and the affective turn, I analyze the relations between the poetry of witness written by women and the militancy in front of the patriarchal system of the war. I find the communality of poetry in a sensibility that speaks from the place of oppression, not only generic but from the marginalization of the victims, from the dis/appropriation techniques or post-autonomous writings and from the political-affective, ethical and philosophical positions of the women writers. The language of the testimony and the remains of the materiality of the body-word, that deny the representation and recreate the intensities of the woman’s imagination, create two places of enunciation: the denunciation of the oppression made on the survivors and the resistance to turning them into objects of a banal and hegemonic discourse of memory, or the manifestation of women’s experience in war.
topic Testimonial poetry
female writing
critique of memory
affective turn
survival
url http://revistas.univalle.edu.co/index.php/la_manzana_de_la_discordia/article/view/6729/9746
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