From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website

The museum is not only a transmitter of information about objects, but also ‘a technology in its own right’: the spatial and conceptual arrangement of its display and the architectural layout of its spaces, which together constitute the spatiality of the museum, act as media that generate and struc...

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Main Author: Kali Tzortzi
Format: Article
Language:English
Published: Aracne editrice 2016-07-01
Series:DigitCult@Scientific Journal on Digital Cultures
Online Access:http://www.digitcult.it/index.php/dc/article/view/14
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spelling doaj-3bd885d80fdb48838eec3ca7f60a87912021-01-26T08:21:32ZengAracne editriceDigitCult@Scientific Journal on Digital Cultures2531-59942016-07-011210.4399/97888548960936 From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its WebsiteKali Tzortzi The museum is not only a transmitter of information about objects, but also ‘a technology in its own right’: the spatial and conceptual arrangement of its display and the architectural layout of its spaces, which together constitute the spatiality of the museum, act as media that generate and structure the  way it presents knowledge. This paper explores whether museums seek to re-present their spatiality in the virtual sphere of the website, and if so, in what ways and why. Studies of the use of websites which stress interdependence with the real museum, provide the grounding for these questions. Forty-three websites of the most visited European museums are analyzed, on the basis of 16 themes that index spatiality. The paper clarifies high variability in the way they interpret spatiality, distinguishing three modes of relating real and virtual: the synergetic, the presentational and the discursive. Methodologically, a conceptual framework is developed for interpreting these strategic differences. Theoretically, website design is related to museum theory, in that the philosophy among leading museums to transmit their spatiality powerfully through the website can be theorized as reflecting a performing, rather than informing, museological approach, and a move towards a more ‘participatory’ website culture. http://www.digitcult.it/index.php/dc/article/view/14
collection DOAJ
language English
format Article
sources DOAJ
author Kali Tzortzi
spellingShingle Kali Tzortzi
From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website
DigitCult@Scientific Journal on Digital Cultures
author_facet Kali Tzortzi
author_sort Kali Tzortzi
title From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website
title_short From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website
title_full From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website
title_fullStr From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website
title_full_unstemmed From the Real to the Virtual: The Re-Presentation of the Spatiality of the Museum on Its Website
title_sort from the real to the virtual: the re-presentation of the spatiality of the museum on its website
publisher Aracne editrice
series DigitCult@Scientific Journal on Digital Cultures
issn 2531-5994
publishDate 2016-07-01
description The museum is not only a transmitter of information about objects, but also ‘a technology in its own right’: the spatial and conceptual arrangement of its display and the architectural layout of its spaces, which together constitute the spatiality of the museum, act as media that generate and structure the  way it presents knowledge. This paper explores whether museums seek to re-present their spatiality in the virtual sphere of the website, and if so, in what ways and why. Studies of the use of websites which stress interdependence with the real museum, provide the grounding for these questions. Forty-three websites of the most visited European museums are analyzed, on the basis of 16 themes that index spatiality. The paper clarifies high variability in the way they interpret spatiality, distinguishing three modes of relating real and virtual: the synergetic, the presentational and the discursive. Methodologically, a conceptual framework is developed for interpreting these strategic differences. Theoretically, website design is related to museum theory, in that the philosophy among leading museums to transmit their spatiality powerfully through the website can be theorized as reflecting a performing, rather than informing, museological approach, and a move towards a more ‘participatory’ website culture.
url http://www.digitcult.it/index.php/dc/article/view/14
work_keys_str_mv AT kalitzortzi fromtherealtothevirtualtherepresentationofthespatialityofthemuseumonitswebsite
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