Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing qu...
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2005-12-01
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doaj-3ba2274e2e5f42af952560198d9ff3552020-11-25T02:59:25ZengUniversity of EdinburghForum1749-97712005-12-0101543Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented ImageDaniel Yacavone0University of EdinburghJean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts.http://www.forumjournal.org/article/view/543 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Daniel Yacavone |
spellingShingle |
Daniel Yacavone Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image Forum |
author_facet |
Daniel Yacavone |
author_sort |
Daniel Yacavone |
title |
Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image |
title_short |
Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image |
title_full |
Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image |
title_fullStr |
Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image |
title_full_unstemmed |
Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image |
title_sort |
jean-luc godard and roy lichtenstein: originality, reflexivity, and the re-presented image |
publisher |
University of Edinburgh |
series |
Forum |
issn |
1749-9771 |
publishDate |
2005-12-01 |
description |
Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts. |
url |
http://www.forumjournal.org/article/view/543 |
work_keys_str_mv |
AT danielyacavone jeanlucgodardandroylichtensteinoriginalityreflexivityandtherepresentedimage |
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1715334880702758912 |