Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image

Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing qu...

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Bibliographic Details
Main Author: Daniel Yacavone
Format: Article
Language:English
Published: University of Edinburgh 2005-12-01
Series:Forum
Online Access:http://www.forumjournal.org/article/view/543
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spelling doaj-3ba2274e2e5f42af952560198d9ff3552020-11-25T02:59:25ZengUniversity of EdinburghForum1749-97712005-12-0101543Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented ImageDaniel Yacavone0University of EdinburghJean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts.http://www.forumjournal.org/article/view/543
collection DOAJ
language English
format Article
sources DOAJ
author Daniel Yacavone
spellingShingle Daniel Yacavone
Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
Forum
author_facet Daniel Yacavone
author_sort Daniel Yacavone
title Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_short Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_full Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_fullStr Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_full_unstemmed Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_sort jean-luc godard and roy lichtenstein: originality, reflexivity, and the re-presented image
publisher University of Edinburgh
series Forum
issn 1749-9771
publishDate 2005-12-01
description Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts.
url http://www.forumjournal.org/article/view/543
work_keys_str_mv AT danielyacavone jeanlucgodardandroylichtensteinoriginalityreflexivityandtherepresentedimage
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