Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing qu...
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| Format: | Article |
| Language: | English |
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University of Edinburgh
2005-12-01
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| Series: | Forum |
| Online Access: | http://www.forumjournal.org/article/view/543 |
| Summary: | Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts. |
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| ISSN: | 1749-9771 |