Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy

This paper examines the use of techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Thomas Kyd’s The Spanish Tragedy. The playwrights of the period were negotiating their way in a new world in which language was a medium wh...

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Main Author: Demir Alihodžić
Format: Article
Language:Bosnian
Published: University of Tuzla, Faculty of Humanities and Social Sciences 2016-12-01
Series:Društvene i Humanističke Studije
Subjects:
Online Access:http://www.dhs.ff.untz.ba/index.php/home/article/view/5
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spelling doaj-3b42ccb4d1e14b1a9b90edcc68f123d02020-11-25T02:43:24ZbosUniversity of Tuzla, Faculty of Humanities and Social SciencesDruštvene i Humanističke Studije 2490-36042490-36472016-12-0111 (1)79997Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish TragedyDemir Alihodžić0University of Tuzla Faculty of Humanities and Social SciencesThis paper examines the use of techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Thomas Kyd’s The Spanish Tragedy. The playwrights of the period were negotiating their way in a new world in which language was a medium which was coming more and more to be respected, and those who could wield it had the potential for advancement in ways never before conceivable. In the forefront of those negotiating for such a place through their art was Thomas Kyd. He may be considered the pioneer in the development of the self on the English stage in the early modern period through storytelling and self-narration as representational techniques. The paper also examines some of the profound changes in dramaturgy which took place in the period in question and which culminated in the drama of Thomas Kyd.http://www.dhs.ff.untz.ba/index.php/home/article/view/5english renaissance dramathomas kydthe spanish tragedystorytellingself-narration
collection DOAJ
language Bosnian
format Article
sources DOAJ
author Demir Alihodžić
spellingShingle Demir Alihodžić
Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
Društvene i Humanističke Studije
english renaissance drama
thomas kyd
the spanish tragedy
storytelling
self-narration
author_facet Demir Alihodžić
author_sort Demir Alihodžić
title Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
title_short Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
title_full Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
title_fullStr Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
title_full_unstemmed Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
title_sort narrating the self in english renaissance drama: storytelling and self-narration in thomas kyd’s the spanish tragedy
publisher University of Tuzla, Faculty of Humanities and Social Sciences
series Društvene i Humanističke Studije
issn 2490-3604
2490-3647
publishDate 2016-12-01
description This paper examines the use of techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Thomas Kyd’s The Spanish Tragedy. The playwrights of the period were negotiating their way in a new world in which language was a medium which was coming more and more to be respected, and those who could wield it had the potential for advancement in ways never before conceivable. In the forefront of those negotiating for such a place through their art was Thomas Kyd. He may be considered the pioneer in the development of the self on the English stage in the early modern period through storytelling and self-narration as representational techniques. The paper also examines some of the profound changes in dramaturgy which took place in the period in question and which culminated in the drama of Thomas Kyd.
topic english renaissance drama
thomas kyd
the spanish tragedy
storytelling
self-narration
url http://www.dhs.ff.untz.ba/index.php/home/article/view/5
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