Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy
This paper examines the use of techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Thomas Kyd’s The Spanish Tragedy. The playwrights of the period were negotiating their way in a new world in which language was a medium wh...
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University of Tuzla, Faculty of Humanities and Social Sciences
2016-12-01
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Online Access: | http://www.dhs.ff.untz.ba/index.php/home/article/view/5 |
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doaj-3b42ccb4d1e14b1a9b90edcc68f123d02020-11-25T02:43:24ZbosUniversity of Tuzla, Faculty of Humanities and Social SciencesDruštvene i Humanističke Studije 2490-36042490-36472016-12-0111 (1)79997Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish TragedyDemir Alihodžić0University of Tuzla Faculty of Humanities and Social SciencesThis paper examines the use of techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Thomas Kyd’s The Spanish Tragedy. The playwrights of the period were negotiating their way in a new world in which language was a medium which was coming more and more to be respected, and those who could wield it had the potential for advancement in ways never before conceivable. In the forefront of those negotiating for such a place through their art was Thomas Kyd. He may be considered the pioneer in the development of the self on the English stage in the early modern period through storytelling and self-narration as representational techniques. The paper also examines some of the profound changes in dramaturgy which took place in the period in question and which culminated in the drama of Thomas Kyd.http://www.dhs.ff.untz.ba/index.php/home/article/view/5english renaissance dramathomas kydthe spanish tragedystorytellingself-narration |
collection |
DOAJ |
language |
Bosnian |
format |
Article |
sources |
DOAJ |
author |
Demir Alihodžić |
spellingShingle |
Demir Alihodžić Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy Društvene i Humanističke Studije english renaissance drama thomas kyd the spanish tragedy storytelling self-narration |
author_facet |
Demir Alihodžić |
author_sort |
Demir Alihodžić |
title |
Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy |
title_short |
Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy |
title_full |
Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy |
title_fullStr |
Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy |
title_full_unstemmed |
Narrating the Self in English Renaissance Drama: Storytelling and Self-narration in Thomas Kyd’s the Spanish Tragedy |
title_sort |
narrating the self in english renaissance drama: storytelling and self-narration in thomas kyd’s the spanish tragedy |
publisher |
University of Tuzla, Faculty of Humanities and Social Sciences |
series |
Društvene i Humanističke Studije |
issn |
2490-3604 2490-3647 |
publishDate |
2016-12-01 |
description |
This paper examines the use of techniques of storytelling and self-narration on the English stage in the late 16th and early 17th centuries, with an emphasis on Thomas Kyd’s The Spanish Tragedy. The playwrights of the period were negotiating their way in a new world in which language was a medium which was coming more and more to be respected, and those who could wield it had the potential for advancement in ways never before conceivable. In the forefront of those negotiating for such a place through their art was Thomas Kyd. He may be considered the pioneer in the development of the self on the English stage in the early modern period through storytelling and self-narration as representational techniques. The paper also examines some of the profound changes in dramaturgy which took place in the period in question and which culminated in the drama of Thomas Kyd. |
topic |
english renaissance drama thomas kyd the spanish tragedy storytelling self-narration |
url |
http://www.dhs.ff.untz.ba/index.php/home/article/view/5 |
work_keys_str_mv |
AT demiralihodzic narratingtheselfinenglishrenaissancedramastorytellingandselfnarrationinthomaskydsthespanishtragedy |
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1724769552249651200 |