Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent

The Hon. Henry Marsham (1845-1908) was a British businessman who collected Japanese works of art in Kyoto during the 1900s. His Kyoto ware collection at Maidstone Museum, Kent, is superior in both quantity and quality to other collections in Japan and overseas. The over 700 ceramic works in this col...

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Main Author: Ai Fukunaga
Format: Article
Language:English
Published: Forum Kunst und Markt 2018-09-01
Series:Journal for Art Market Studies
Subjects:
Online Access:https://fokum-jams.org/index.php/jams/article/view/66
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spelling doaj-3b3f37ca40bb436a9cfbd93ee691641f2020-11-25T00:57:37ZengForum Kunst und MarktJournal for Art Market Studies2511-76022018-09-012310.23690/jams.v2i3.6652Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, KentAi Fukunaga0SOAS, University of LondonThe Hon. Henry Marsham (1845-1908) was a British businessman who collected Japanese works of art in Kyoto during the 1900s. His Kyoto ware collection at Maidstone Museum, Kent, is superior in both quantity and quality to other collections in Japan and overseas. The over 700 ceramic works in this collection range from daily dishes and tea vessels to utensils exclusively made for noble families. Marsham assembled the objects in a transnational process which was instigated in Japan before it continued in Britain. He collected Japanese works with local support before sending his collection to the Kentish provincial museum, with which he communicated closely on matters of arrangement and display. This paper examines the role of the Miyako Hotel, as an actor in creating Marsham’s collection as well as his Kyoto network for collecting. The interactions between the British collector and the local agents are illustrated based on letters and manuscript notes in his archive at the Maidstone Museum. The actors from the empirical study are then discussed in the context of Kyoto and the emerging tourist industry in the late Meiji era, complemented by the research of local newspaper articles of the time. Understanding collecting as a collaborative process by actors in different sectors, the network of collecting is contextualised here for both the collector and the people in Meiji Kyoto.https://fokum-jams.org/index.php/jams/article/view/66Art marketKyotoHenry MarshamMaidstoneJapanese artJapanese ceramicsHotel
collection DOAJ
language English
format Article
sources DOAJ
author Ai Fukunaga
spellingShingle Ai Fukunaga
Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent
Journal for Art Market Studies
Art market
Kyoto
Henry Marsham
Maidstone
Japanese art
Japanese ceramics
Hotel
author_facet Ai Fukunaga
author_sort Ai Fukunaga
title Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent
title_short Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent
title_full Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent
title_fullStr Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent
title_full_unstemmed Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent
title_sort tourism and collecting in kyoto: the miyako hotel as an agent in the creation of the hon. henry marsham collection of japanese art, maidstone museum, kent
publisher Forum Kunst und Markt
series Journal for Art Market Studies
issn 2511-7602
publishDate 2018-09-01
description The Hon. Henry Marsham (1845-1908) was a British businessman who collected Japanese works of art in Kyoto during the 1900s. His Kyoto ware collection at Maidstone Museum, Kent, is superior in both quantity and quality to other collections in Japan and overseas. The over 700 ceramic works in this collection range from daily dishes and tea vessels to utensils exclusively made for noble families. Marsham assembled the objects in a transnational process which was instigated in Japan before it continued in Britain. He collected Japanese works with local support before sending his collection to the Kentish provincial museum, with which he communicated closely on matters of arrangement and display. This paper examines the role of the Miyako Hotel, as an actor in creating Marsham’s collection as well as his Kyoto network for collecting. The interactions between the British collector and the local agents are illustrated based on letters and manuscript notes in his archive at the Maidstone Museum. The actors from the empirical study are then discussed in the context of Kyoto and the emerging tourist industry in the late Meiji era, complemented by the research of local newspaper articles of the time. Understanding collecting as a collaborative process by actors in different sectors, the network of collecting is contextualised here for both the collector and the people in Meiji Kyoto.
topic Art market
Kyoto
Henry Marsham
Maidstone
Japanese art
Japanese ceramics
Hotel
url https://fokum-jams.org/index.php/jams/article/view/66
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