The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales

The Kgolomodumo story is becoming extinct in Sepedi folklore with the risk of losing its deep structure and embedded meaning. Very little, if any, has been performed to determine the relationship between the monsters and cosmology, also revealing how they are used to construct eschatology. In this a...

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Main Author: Sekgothe Mokgoatšana
Format: Article
Language:English
Published: AOSIS 2020-12-01
Series:Theologia Viatorum
Subjects:
Online Access:https://theologiaviatorum.org/index.php/tv/article/view/72
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spelling doaj-3b04f642f68e45e7a844f4b141be8d0f2020-12-11T14:00:24ZengAOSISTheologia Viatorum0378-41422664-29802020-12-01441e1e1210.4102/tv.v44i1.7236The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktalesSekgothe Mokgoatšana0Department of Cultural and Political Studies, Faculty of Humanities, University of Limpopo, SovengaThe Kgolomodumo story is becoming extinct in Sepedi folklore with the risk of losing its deep structure and embedded meaning. Very little, if any, has been performed to determine the relationship between the monsters and cosmology, also revealing how they are used to construct eschatology. In this article, I analyse the story of a monster and explain how monstrosity and the grotesque are used as a discourse to craft, uncover and (re)construct how Bapedi interprets the teleological and eschatological from the tale; Kgolomodumo. The tale is a source of explaining the metaphor of the devouring monster to describe the end of things and messianic eschatology in Sepedi religious conceptions. The story was conveniently chosen from a folklore anthology, Diphekotšabagologolo because it is a threatened textual construct. The interpretation of the tale is both Afrocentric and hermeneutical relying largely on my knowledge of Sepedi culture and folklore; drawing from my insider, self-reflexive engagement after teaching of folklore as indigenous knowledge for the past 30 years. The story is framed within the postcolonial discourse, selecting the Afrocentric lens as a tool to explain and contextualise eschatology within African religion.https://theologiaviatorum.org/index.php/tv/article/view/72kgolomodumomonsterseschatologyindigenous knowledgemyth of creationcosmology and cosmogonyworldinggrotesquesepedi
collection DOAJ
language English
format Article
sources DOAJ
author Sekgothe Mokgoatšana
spellingShingle Sekgothe Mokgoatšana
The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
Theologia Viatorum
kgolomodumo
monsters
eschatology
indigenous knowledge
myth of creation
cosmology and cosmogony
worlding
grotesque
sepedi
author_facet Sekgothe Mokgoatšana
author_sort Sekgothe Mokgoatšana
title The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
title_short The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
title_full The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
title_fullStr The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
title_full_unstemmed The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
title_sort monstrous and the grotesque: (de)scribing and unmasking eschatology in sepedi folktales
publisher AOSIS
series Theologia Viatorum
issn 0378-4142
2664-2980
publishDate 2020-12-01
description The Kgolomodumo story is becoming extinct in Sepedi folklore with the risk of losing its deep structure and embedded meaning. Very little, if any, has been performed to determine the relationship between the monsters and cosmology, also revealing how they are used to construct eschatology. In this article, I analyse the story of a monster and explain how monstrosity and the grotesque are used as a discourse to craft, uncover and (re)construct how Bapedi interprets the teleological and eschatological from the tale; Kgolomodumo. The tale is a source of explaining the metaphor of the devouring monster to describe the end of things and messianic eschatology in Sepedi religious conceptions. The story was conveniently chosen from a folklore anthology, Diphekotšabagologolo because it is a threatened textual construct. The interpretation of the tale is both Afrocentric and hermeneutical relying largely on my knowledge of Sepedi culture and folklore; drawing from my insider, self-reflexive engagement after teaching of folklore as indigenous knowledge for the past 30 years. The story is framed within the postcolonial discourse, selecting the Afrocentric lens as a tool to explain and contextualise eschatology within African religion.
topic kgolomodumo
monsters
eschatology
indigenous knowledge
myth of creation
cosmology and cosmogony
worlding
grotesque
sepedi
url https://theologiaviatorum.org/index.php/tv/article/view/72
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