The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales
The Kgolomodumo story is becoming extinct in Sepedi folklore with the risk of losing its deep structure and embedded meaning. Very little, if any, has been performed to determine the relationship between the monsters and cosmology, also revealing how they are used to construct eschatology. In this a...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
AOSIS
2020-12-01
|
Series: | Theologia Viatorum |
Subjects: | |
Online Access: | https://theologiaviatorum.org/index.php/tv/article/view/72 |
id |
doaj-3b04f642f68e45e7a844f4b141be8d0f |
---|---|
record_format |
Article |
spelling |
doaj-3b04f642f68e45e7a844f4b141be8d0f2020-12-11T14:00:24ZengAOSISTheologia Viatorum0378-41422664-29802020-12-01441e1e1210.4102/tv.v44i1.7236The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktalesSekgothe Mokgoatšana0Department of Cultural and Political Studies, Faculty of Humanities, University of Limpopo, SovengaThe Kgolomodumo story is becoming extinct in Sepedi folklore with the risk of losing its deep structure and embedded meaning. Very little, if any, has been performed to determine the relationship between the monsters and cosmology, also revealing how they are used to construct eschatology. In this article, I analyse the story of a monster and explain how monstrosity and the grotesque are used as a discourse to craft, uncover and (re)construct how Bapedi interprets the teleological and eschatological from the tale; Kgolomodumo. The tale is a source of explaining the metaphor of the devouring monster to describe the end of things and messianic eschatology in Sepedi religious conceptions. The story was conveniently chosen from a folklore anthology, Diphekotšabagologolo because it is a threatened textual construct. The interpretation of the tale is both Afrocentric and hermeneutical relying largely on my knowledge of Sepedi culture and folklore; drawing from my insider, self-reflexive engagement after teaching of folklore as indigenous knowledge for the past 30 years. The story is framed within the postcolonial discourse, selecting the Afrocentric lens as a tool to explain and contextualise eschatology within African religion.https://theologiaviatorum.org/index.php/tv/article/view/72kgolomodumomonsterseschatologyindigenous knowledgemyth of creationcosmology and cosmogonyworldinggrotesquesepedi |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sekgothe Mokgoatšana |
spellingShingle |
Sekgothe Mokgoatšana The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales Theologia Viatorum kgolomodumo monsters eschatology indigenous knowledge myth of creation cosmology and cosmogony worlding grotesque sepedi |
author_facet |
Sekgothe Mokgoatšana |
author_sort |
Sekgothe Mokgoatšana |
title |
The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales |
title_short |
The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales |
title_full |
The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales |
title_fullStr |
The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales |
title_full_unstemmed |
The monstrous and the grotesque: (De)scribing and unmasking eschatology in Sepedi folktales |
title_sort |
monstrous and the grotesque: (de)scribing and unmasking eschatology in sepedi folktales |
publisher |
AOSIS |
series |
Theologia Viatorum |
issn |
0378-4142 2664-2980 |
publishDate |
2020-12-01 |
description |
The Kgolomodumo story is becoming extinct in Sepedi folklore with the risk of losing its deep structure and embedded meaning. Very little, if any, has been performed to determine the relationship between the monsters and cosmology, also revealing how they are used to construct eschatology. In this article, I analyse the story of a monster and explain how monstrosity and the grotesque are used as a discourse to craft, uncover and (re)construct how Bapedi interprets the teleological and eschatological from the tale; Kgolomodumo. The tale is a source of explaining the metaphor of the devouring monster to describe the end of things and messianic eschatology in Sepedi religious conceptions. The story was conveniently chosen from a folklore anthology, Diphekotšabagologolo because it is a threatened textual construct. The interpretation of the tale is both Afrocentric and hermeneutical relying largely on my knowledge of Sepedi culture and folklore; drawing from my insider, self-reflexive engagement after teaching of folklore as indigenous knowledge for the past 30 years. The story is framed within the postcolonial discourse, selecting the Afrocentric lens as a tool to explain and contextualise eschatology within African religion. |
topic |
kgolomodumo monsters eschatology indigenous knowledge myth of creation cosmology and cosmogony worlding grotesque sepedi |
url |
https://theologiaviatorum.org/index.php/tv/article/view/72 |
work_keys_str_mv |
AT sekgothemokgoatsana themonstrousandthegrotesquedescribingandunmaskingeschatologyinsepedifolktales AT sekgothemokgoatsana monstrousandthegrotesquedescribingandunmaskingeschatologyinsepedifolktales |
_version_ |
1724386329009061888 |