STYLE ORIENTATIONS AND AESTHETIC FEATURES OF TORU TAKEMITSU`S PIANO MUSIC
The article presents some problems concerning the style and musical aesthetic features of the Japanese composer Takemitsu. The piano music heritage of Toru Takemitsu is analysed in the context of his musicological and literal essays. Emphasis is also laid on a multitude of stylistic contexts of the...
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Format: | Article |
Language: | deu |
Published: |
Notograf Prim
2018-11-01
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Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
Subjects: | |
Online Access: | http://revista.amtap.md/wp-content/files_mf/15723576368.guminiuk.pdf |
Summary: | The article presents some problems concerning the style and musical aesthetic features of the Japanese composer Takemitsu.
The piano music heritage of Toru Takemitsu is analysed in the context of his musicological and literal essays. Emphasis is also laid on a multitude of stylistic contexts of the composer’s creation, among which, alongside of the stylistics of the French composer O. Messiaen and the aesthetic „silence” of the American composer John Cage, are present the philosophy and artistic phenomena of the Japanese culture. |
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ISSN: | 2345-1408 2345-1831 |