A fantasia como recurso diante de um diagnóstico mortífero

Freud began his journey towards the notion of fantasy in his work by following the steps of Gradiva, the woman who walks, a mythological figure originated in a novella. Henceforth, he realizes that literary narrative is capable of surfacing notions that are difficult to accept – with no need for arg...

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Bibliographic Details
Main Authors: Igor Francês, Alessandro Melo Bacchini, Junia de Vilhena
Format: Article
Language:English
Published: Universidade Federal do Tocantins 2015-03-01
Series:Desafios
Subjects:
Online Access:https://sistemas.uft.edu.br/periodicos/index.php/desafios/article/view/1472/8256
Description
Summary:Freud began his journey towards the notion of fantasy in his work by following the steps of Gradiva, the woman who walks, a mythological figure originated in a novella. Henceforth, he realizes that literary narrative is capable of surfacing notions that are difficult to accept – with no need for argumentation or counterproof – such as the processes involved in the formation of dreams and delirium. In this study we will follow Freudian tradition in order to analyze a clinical case assisted by one of the authors, mixing elements of imaginative delirium with passages from The Posthumous Memoirs of Bras Cubas, by Machado de Assis. Here, we will tell the tale of a young man diagnosed with HIV/Aids, tossed into the fury of the infernal waters without a single coin to give to the ferryman. With Virgilian support, our hero crossed the Elysian Fields in search for an end, or a new beginning.
ISSN:2359-3652