Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education

This research is a qualitative study aiming to reveal teaching methods for Turkish Music in cello education at music teacher training departments of universities in Turkey and to assess the process from the perspectives of academicians working at such departments. This is a descriptive study in whic...

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Main Author: Burcu Avcı Akbel
Format: Article
Language:English
Published: Anı Publishing 2018-07-01
Series:Eğitimde Nitel Araştırmalar Dergisi
Subjects:
Online Access:http://enadonline.com/en/archives/volume-6-issue-2-en/opinions-of-instructors-on-the-teaching-methods-of-turkish-music-in-cello-education/opinions-of-instructors-on-the-teaching-methods-of-turkish-music-in-cello-education
id doaj-3a3de81e5e624c988a6bd6491173ca8f
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spelling doaj-3a3de81e5e624c988a6bd6491173ca8f2020-11-25T03:12:13ZengAnı PublishingEğitimde Nitel Araştırmalar Dergisi2148-26242018-07-016212410.14689/issn.2148-2624.1.6c2s5mOpinions of Instructors on The Teaching Methods of Turkish Music in Cello EducationBurcu Avcı AkbelThis research is a qualitative study aiming to reveal teaching methods for Turkish Music in cello education at music teacher training departments of universities in Turkey and to assess the process from the perspectives of academicians working at such departments. This is a descriptive study in which literature review and interview methods were used. The interview form, developed as a data collection tool in the study, was given its final form in line with expert opinions. As a result of content analysis performed in this study, it was revealed that Turkish Music education is taught only if the teacher has an interest in the field or if they deem it necessary; that the course content only includes adaptations or arrangements transcribed into tempered system, and that usul structures were the most challenging subject for students in Turkish Music performance. The reasons for not including Turkish Music in curricula of cello education at teacher training institutions were seen to include lack of resources, qualification of the trainers, not familiar with Turkish Music, methodology, the opinion that tonal and microtonal music education cannot be both included in the same curriculum, students’ lack of theoretical background to learn Turkish Music.http://enadonline.com/en/archives/volume-6-issue-2-en/opinions-of-instructors-on-the-teaching-methods-of-turkish-music-in-cello-education/opinions-of-instructors-on-the-teaching-methods-of-turkish-music-in-cello-educationcellocello educationturkish musicmusic education
collection DOAJ
language English
format Article
sources DOAJ
author Burcu Avcı Akbel
spellingShingle Burcu Avcı Akbel
Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education
Eğitimde Nitel Araştırmalar Dergisi
cello
cello education
turkish music
music education
author_facet Burcu Avcı Akbel
author_sort Burcu Avcı Akbel
title Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education
title_short Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education
title_full Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education
title_fullStr Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education
title_full_unstemmed Opinions of Instructors on The Teaching Methods of Turkish Music in Cello Education
title_sort opinions of instructors on the teaching methods of turkish music in cello education
publisher Anı Publishing
series Eğitimde Nitel Araştırmalar Dergisi
issn 2148-2624
publishDate 2018-07-01
description This research is a qualitative study aiming to reveal teaching methods for Turkish Music in cello education at music teacher training departments of universities in Turkey and to assess the process from the perspectives of academicians working at such departments. This is a descriptive study in which literature review and interview methods were used. The interview form, developed as a data collection tool in the study, was given its final form in line with expert opinions. As a result of content analysis performed in this study, it was revealed that Turkish Music education is taught only if the teacher has an interest in the field or if they deem it necessary; that the course content only includes adaptations or arrangements transcribed into tempered system, and that usul structures were the most challenging subject for students in Turkish Music performance. The reasons for not including Turkish Music in curricula of cello education at teacher training institutions were seen to include lack of resources, qualification of the trainers, not familiar with Turkish Music, methodology, the opinion that tonal and microtonal music education cannot be both included in the same curriculum, students’ lack of theoretical background to learn Turkish Music.
topic cello
cello education
turkish music
music education
url http://enadonline.com/en/archives/volume-6-issue-2-en/opinions-of-instructors-on-the-teaching-methods-of-turkish-music-in-cello-education/opinions-of-instructors-on-the-teaching-methods-of-turkish-music-in-cello-education
work_keys_str_mv AT burcuavcıakbel opinionsofinstructorsontheteachingmethodsofturkishmusicincelloeducation
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