Carrying the Nest: (Re)writing History Through Embodied Research

This video article describes the embodied research conducted whilst creating the video performance 'Carrying her'; where various meditation techniques serve to confront the taboo history of the Armenian Genocide that reached its climax in 1915–16 in my homeland, Turkey. I instrumentalize m...

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Bibliographic Details
Main Author: Nilüfer Ovalıoğlu Gros
Format: Article
Language:English
Published: Open Library of Humanities 2019-11-01
Series:Journal of Embodied Research
Subjects:
Online Access:https://jer.openlibhums.org/articles/23
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spelling doaj-3a3111ae625f4845881d8308d80b0ea12020-11-25T02:07:52ZengOpen Library of HumanitiesJournal of Embodied Research2513-84212019-11-012110.16995/jer.2313Carrying the Nest: (Re)writing History Through Embodied ResearchNilüfer Ovalıoğlu Gros0Independent researcherThis video article describes the embodied research conducted whilst creating the video performance 'Carrying her'; where various meditation techniques serve to confront the taboo history of the Armenian Genocide that reached its climax in 1915–16 in my homeland, Turkey. I instrumentalize my experience living in a two-century old stone house in the city of Mardin, in the Syrian frontier of Turkey, to reconsider the historical wound felt in the collective utterances of the region. Chants, lamentations, lullabies, testimonies, myths and tales guide me through the history embodied in Southeast Turkey and urge my journey to France where I re-discover the wound through sonorities of the Armenian Diaspora. My pregnancy opens a space to reflect upon women’s experience of the genocide, translating the corporal phenomenon of being pregnant to the reality of the exiled through the notion of carrying. The sonic universe reclaimed in the diaspora revives my memory of the land in its lullabies. To reclaim the diversity lost from my homeland, I create a soundscape that employs diverse sonorities of Southeast Anatolia. Complemented by the soundscape, the video performance composes my 'ağıt', my lament for the people exiled and massacred.https://jer.openlibhums.org/articles/23genocideperformancepregnancyexileutterancechantembodying historyconfronting historymeditation
collection DOAJ
language English
format Article
sources DOAJ
author Nilüfer Ovalıoğlu Gros
spellingShingle Nilüfer Ovalıoğlu Gros
Carrying the Nest: (Re)writing History Through Embodied Research
Journal of Embodied Research
genocide
performance
pregnancy
exile
utterance
chant
embodying history
confronting history
meditation
author_facet Nilüfer Ovalıoğlu Gros
author_sort Nilüfer Ovalıoğlu Gros
title Carrying the Nest: (Re)writing History Through Embodied Research
title_short Carrying the Nest: (Re)writing History Through Embodied Research
title_full Carrying the Nest: (Re)writing History Through Embodied Research
title_fullStr Carrying the Nest: (Re)writing History Through Embodied Research
title_full_unstemmed Carrying the Nest: (Re)writing History Through Embodied Research
title_sort carrying the nest: (re)writing history through embodied research
publisher Open Library of Humanities
series Journal of Embodied Research
issn 2513-8421
publishDate 2019-11-01
description This video article describes the embodied research conducted whilst creating the video performance 'Carrying her'; where various meditation techniques serve to confront the taboo history of the Armenian Genocide that reached its climax in 1915–16 in my homeland, Turkey. I instrumentalize my experience living in a two-century old stone house in the city of Mardin, in the Syrian frontier of Turkey, to reconsider the historical wound felt in the collective utterances of the region. Chants, lamentations, lullabies, testimonies, myths and tales guide me through the history embodied in Southeast Turkey and urge my journey to France where I re-discover the wound through sonorities of the Armenian Diaspora. My pregnancy opens a space to reflect upon women’s experience of the genocide, translating the corporal phenomenon of being pregnant to the reality of the exiled through the notion of carrying. The sonic universe reclaimed in the diaspora revives my memory of the land in its lullabies. To reclaim the diversity lost from my homeland, I create a soundscape that employs diverse sonorities of Southeast Anatolia. Complemented by the soundscape, the video performance composes my 'ağıt', my lament for the people exiled and massacred.
topic genocide
performance
pregnancy
exile
utterance
chant
embodying history
confronting history
meditation
url https://jer.openlibhums.org/articles/23
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