Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts

Deconstructivism is an aesthetically appealing architectonic style. Here, we identify some general characteristics of this style, such as decomposition of the whole into parts, superposition of layers, and conservation of the memory of the whole. Using these attributes, we propose a method to decons...

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Main Authors: Ernesto Estrada, Puri Pereira-Ramos
Format: Article
Language:English
Published: Hindawi-Wiley 2018-01-01
Series:Complexity
Online Access:http://dx.doi.org/10.1155/2018/9893867
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spelling doaj-3a2168b9d0954746a0d1cc98dcf147f02020-11-25T01:56:00ZengHindawi-WileyComplexity1076-27871099-05262018-01-01201810.1155/2018/98938679893867Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual ArtsErnesto Estrada0Puri Pereira-Ramos1Department of Mathematics & Statistics, University of Strathclyde, 26 Richmond Street, Glasgow G1 1HQ, UKPeRArt Studio, Murgas 4, 15822 A Coruna, SpainDeconstructivism is an aesthetically appealing architectonic style. Here, we identify some general characteristics of this style, such as decomposition of the whole into parts, superposition of layers, and conservation of the memory of the whole. Using these attributes, we propose a method to deconstruct functions based on integers. Using this integer-function deconstruction we generate spatial networks which display a few artistic attributes such as (i) biomorphic shapes, (ii) symmetry, and (iii) beauty. In building these networks, the deconstructed integer-functions are used as the coordinates of the nodes in a unit square, which are then joined according to a given connection radius like in random geometric graphs (RGGs). Some graph-theoretic invariants of these networks are calculated and compared with the classical RGGs. We then show how these networks inspire an artist to create artistic compositions using mixed techniques on canvas and on paper. Finally, we call for avoiding that the applicability of (network) sciences should not go in detriment of curiosity-driven, and aesthetic-driven, researches. We claim that the aesthetic of network research, and not only its applicability, would be an attractor for new minds to this field.http://dx.doi.org/10.1155/2018/9893867
collection DOAJ
language English
format Article
sources DOAJ
author Ernesto Estrada
Puri Pereira-Ramos
spellingShingle Ernesto Estrada
Puri Pereira-Ramos
Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts
Complexity
author_facet Ernesto Estrada
Puri Pereira-Ramos
author_sort Ernesto Estrada
title Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts
title_short Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts
title_full Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts
title_fullStr Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts
title_full_unstemmed Spatial “Artistic” Networks: From Deconstructing Integer-Functions to Visual Arts
title_sort spatial “artistic” networks: from deconstructing integer-functions to visual arts
publisher Hindawi-Wiley
series Complexity
issn 1076-2787
1099-0526
publishDate 2018-01-01
description Deconstructivism is an aesthetically appealing architectonic style. Here, we identify some general characteristics of this style, such as decomposition of the whole into parts, superposition of layers, and conservation of the memory of the whole. Using these attributes, we propose a method to deconstruct functions based on integers. Using this integer-function deconstruction we generate spatial networks which display a few artistic attributes such as (i) biomorphic shapes, (ii) symmetry, and (iii) beauty. In building these networks, the deconstructed integer-functions are used as the coordinates of the nodes in a unit square, which are then joined according to a given connection radius like in random geometric graphs (RGGs). Some graph-theoretic invariants of these networks are calculated and compared with the classical RGGs. We then show how these networks inspire an artist to create artistic compositions using mixed techniques on canvas and on paper. Finally, we call for avoiding that the applicability of (network) sciences should not go in detriment of curiosity-driven, and aesthetic-driven, researches. We claim that the aesthetic of network research, and not only its applicability, would be an attractor for new minds to this field.
url http://dx.doi.org/10.1155/2018/9893867
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