Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries

Entrepreneurship and cultural activism in brazilian peripheries. Periferias, favelas, hills, areas of special interest, subnormal clusters, margins. There are several expressions used in Brazil to name regions of the city in order to demarcate their alterity in relation to the "centers". P...

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Main Author: Livia De Tommasi
Format: Article
Language:English
Published: Università del Salento 2018-12-01
Series:H-ermes: Journal of Communication
Subjects:
Online Access:http://siba-ese.unisalento.it/index.php/h-ermes/article/view/19925
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spelling doaj-398d41c8e2d648919db7db369a929a5f2020-11-25T03:21:46ZengUniversità del SalentoH-ermes: Journal of Communication2284-07532018-12-0120181316719618160Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheriesLivia De TommasiEntrepreneurship and cultural activism in brazilian peripheries. Periferias, favelas, hills, areas of special interest, subnormal clusters, margins. There are several expressions used in Brazil to name regions of the city in order to demarcate their alterity in relation to the "centers". Place of the fault (of services, opportunities, public policies, State), of violence, of the "plundering" in opposition to the places of the city where the social life that matters. The peripheral regions have always been seen as places of "authenticity", of cultural richness, of the sonority of samba, of popular inventiveness, of struggle and resistance. In the last decade, this positive image has been fed by the diffusion and effervescence of artistic and cultural practices (hip hop, graffiti, sarahs, theater collectives, new dance styles, audiovisual production), as well as by a discursive regime aimed at celebrating "creative" abilities and the enterprising talents of its residents. In the context of neoliberal rationality, these supposedly "resilient" virtues became the model of "good practices". In the text, I propose to describe the peripheral cultural scene and its multiple assemblages, in the context of the profound transformations that occurred in Brazilian cities in the years of the governments of the Workers' Party. In particular argument about the emergence of a new figure of worker, the cultural entrepreneur activist and his "career would run," that is, the specific ways in which his work activities and militancy decline.http://siba-ese.unisalento.it/index.php/h-ermes/article/view/19925peripheryfavelasBrazilentrepreneurial spiritcultural productionsuburban culturesyoung people
collection DOAJ
language English
format Article
sources DOAJ
author Livia De Tommasi
spellingShingle Livia De Tommasi
Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries
H-ermes: Journal of Communication
periphery
favelas
Brazil
entrepreneurial spirit
cultural production
suburban cultures
young people
author_facet Livia De Tommasi
author_sort Livia De Tommasi
title Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries
title_short Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries
title_full Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries
title_fullStr Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries
title_full_unstemmed Empreendedorismo e ativismo cultural nas periferias brasileiras = Entrepreneurship and cultural activism in brazilian peripheries
title_sort empreendedorismo e ativismo cultural nas periferias brasileiras = entrepreneurship and cultural activism in brazilian peripheries
publisher Università del Salento
series H-ermes: Journal of Communication
issn 2284-0753
publishDate 2018-12-01
description Entrepreneurship and cultural activism in brazilian peripheries. Periferias, favelas, hills, areas of special interest, subnormal clusters, margins. There are several expressions used in Brazil to name regions of the city in order to demarcate their alterity in relation to the "centers". Place of the fault (of services, opportunities, public policies, State), of violence, of the "plundering" in opposition to the places of the city where the social life that matters. The peripheral regions have always been seen as places of "authenticity", of cultural richness, of the sonority of samba, of popular inventiveness, of struggle and resistance. In the last decade, this positive image has been fed by the diffusion and effervescence of artistic and cultural practices (hip hop, graffiti, sarahs, theater collectives, new dance styles, audiovisual production), as well as by a discursive regime aimed at celebrating "creative" abilities and the enterprising talents of its residents. In the context of neoliberal rationality, these supposedly "resilient" virtues became the model of "good practices". In the text, I propose to describe the peripheral cultural scene and its multiple assemblages, in the context of the profound transformations that occurred in Brazilian cities in the years of the governments of the Workers' Party. In particular argument about the emergence of a new figure of worker, the cultural entrepreneur activist and his "career would run," that is, the specific ways in which his work activities and militancy decline.
topic periphery
favelas
Brazil
entrepreneurial spirit
cultural production
suburban cultures
young people
url http://siba-ese.unisalento.it/index.php/h-ermes/article/view/19925
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