Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели)
This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic languag...
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Adam Mickiewicz University Press
2018-06-01
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| Series: | Studia Rossica Posnaniensia |
| Online Access: | https://pressto.amu.edu.pl/index.php/strp/article/view/13105 |
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doaj-395c41b2cf84494cb6b6022fe958f46a2021-05-03T05:04:46ZdeuAdam Mickiewicz University PressStudia Rossica Posnaniensia0081-68842018-06-014110.14746/strp.2016.41.20Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели)Roman SzubinThis article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence.https://pressto.amu.edu.pl/index.php/strp/article/view/13105 |
| collection |
DOAJ |
| language |
deu |
| format |
Article |
| sources |
DOAJ |
| author |
Roman Szubin |
| spellingShingle |
Roman Szubin Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) Studia Rossica Posnaniensia |
| author_facet |
Roman Szubin |
| author_sort |
Roman Szubin |
| title |
Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) |
| title_short |
Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) |
| title_full |
Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) |
| title_fullStr |
Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) |
| title_full_unstemmed |
Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели) |
| title_sort |
литература как миф и гипертекст в „бесконечном тупике” дмитрия галковского (к реконструкции историософской модели) |
| publisher |
Adam Mickiewicz University Press |
| series |
Studia Rossica Posnaniensia |
| issn |
0081-6884 |
| publishDate |
2018-06-01 |
| description |
This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence. |
| url |
https://pressto.amu.edu.pl/index.php/strp/article/view/13105 |
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