Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)

Islam as a doctrine has a unique relationship with culture. The uniqueness was emerging when Islam as a doctrine has to confront a tradition living in a community. This study discusses how the sculptors in Prumpung Magelang negotiate and compromise betwen the two of opposite entities in the comunity...

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Bibliographic Details
Main Author: Ahmad Mustofa
Format: Article
Language:English
Published: Ministry of Religious Affairs 2020-07-01
Series:Analisa
Subjects:
Online Access:https://blasemarang.kemenag.go.id/journal/index.php/analisa/article/view/1011
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spelling doaj-39106176a5e24a4b8efffb4977ffe6392021-03-15T03:04:32ZengMinistry of Religious AffairsAnalisa2621-71202020-07-01501718510.18784/analisa.v5i1.1011375Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)Ahmad Mustofa0STAI Al Husain MagelangIslam as a doctrine has a unique relationship with culture. The uniqueness was emerging when Islam as a doctrine has to confront a tradition living in a community. This study discusses how the sculptors in Prumpung Magelang negotiate and compromise betwen the two of opposite entities in the comunity, that is (1) religious doctrines (sourced from authoritative texts) about the prohibition of crafting the image of living being, and (2) cultural and artistic practices of making living being as perfect objects of artistic passion. This research attempts to explore and understand the creative reasoning model of some sculptors in the area of Prumpung Magelang when they have to appreciate their artistic passion in sculpture without having to confront the meaning of authoritative texts. Through a reception theory approach, this research concluded that the compromise and negoitation of two opposite entities which often creates polemics in the community can be accommodated in a work of art with objects of living things but still within the corridors and boundaries allowed by the text authority (hadith).https://blasemarang.kemenag.go.id/journal/index.php/analisa/article/view/1011culturesculptorreceptionliving hadithprohibition of image
collection DOAJ
language English
format Article
sources DOAJ
author Ahmad Mustofa
spellingShingle Ahmad Mustofa
Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)
Analisa
culture
sculptor
reception
living hadith
prohibition of image
author_facet Ahmad Mustofa
author_sort Ahmad Mustofa
title Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)
title_short Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)
title_full Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)
title_fullStr Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)
title_full_unstemmed Dialectics Between Religion and Culture (Sculptor ’S Reception Towards the Hadith About Carving Statue in Prumpung Magelang)
title_sort dialectics between religion and culture (sculptor ’s reception towards the hadith about carving statue in prumpung magelang)
publisher Ministry of Religious Affairs
series Analisa
issn 2621-7120
publishDate 2020-07-01
description Islam as a doctrine has a unique relationship with culture. The uniqueness was emerging when Islam as a doctrine has to confront a tradition living in a community. This study discusses how the sculptors in Prumpung Magelang negotiate and compromise betwen the two of opposite entities in the comunity, that is (1) religious doctrines (sourced from authoritative texts) about the prohibition of crafting the image of living being, and (2) cultural and artistic practices of making living being as perfect objects of artistic passion. This research attempts to explore and understand the creative reasoning model of some sculptors in the area of Prumpung Magelang when they have to appreciate their artistic passion in sculpture without having to confront the meaning of authoritative texts. Through a reception theory approach, this research concluded that the compromise and negoitation of two opposite entities which often creates polemics in the community can be accommodated in a work of art with objects of living things but still within the corridors and boundaries allowed by the text authority (hadith).
topic culture
sculptor
reception
living hadith
prohibition of image
url https://blasemarang.kemenag.go.id/journal/index.php/analisa/article/view/1011
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