Post-ethnographic museums: Changing relationships between museum and anthropology in France

The article analyses the contemporary transformations of the relationships between anthropology and museums in France in the wake of the opening in recent years of the Musée du quai Branly, the Musée des Civilisations de l'Europe et de la Méditerranée (MUCEM), and the reopening in 2015 of the M...

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Main Author: Benoît de L'Estoile
Format: Article
Language:English
Published: Università degli Studi di Cagliari 2016-08-01
Series:Anuac
Online Access:https://ojs.unica.it/index.php/anuac/article/view/1979
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spelling doaj-38b184a7ec8043f39d8bc5a79aa1d4172021-03-12T13:02:33ZengUniversità degli Studi di CagliariAnuac2239-625X2016-08-014210.7340/anuac2239-625X-19791369Post-ethnographic museums: Changing relationships between museum and anthropology in FranceBenoît de L'Estoile0CNRS/Ecole Normale Supérieure, Paris, FranceThe article analyses the contemporary transformations of the relationships between anthropology and museums in France in the wake of the opening in recent years of the Musée du quai Branly, the Musée des Civilisations de l'Europe et de la Méditerranée (MUCEM), and the reopening in 2015 of the Musée de l’Homme. The relationship between museums and anthropology, historically tighter in France than in other national contexts, explains the intensity of reactions triggered by these transformations. Retracing the historical transformations of ethnographic museums, and especially the ideal of the ‘museum-laboratory’, shows the enduring role of the naturalist, encyclopedic paradigm. The exhaustion of the natural history paradigm, in the Muséum National d'Histoire Naturelle in Paris as in ethnographic museums, has produced a change in the role of museums, with a shift from a museological discourse under the spell of science and rationalism to a more aesthetic and emotional approach. However, the new Musée de l'Homme embodies a revival of the naturalist and evolutionist paradigm. These new museums, which can be defined as 'post-ethnographic', have avoided a critical reflexive confrontation with history and colonial legacies. Meanwhile French anthropology is now facing the challenge of reinventing itself as a ‘post-museum anthropology’. https://ojs.unica.it/index.php/anuac/article/view/1979
collection DOAJ
language English
format Article
sources DOAJ
author Benoît de L'Estoile
spellingShingle Benoît de L'Estoile
Post-ethnographic museums: Changing relationships between museum and anthropology in France
Anuac
author_facet Benoît de L'Estoile
author_sort Benoît de L'Estoile
title Post-ethnographic museums: Changing relationships between museum and anthropology in France
title_short Post-ethnographic museums: Changing relationships between museum and anthropology in France
title_full Post-ethnographic museums: Changing relationships between museum and anthropology in France
title_fullStr Post-ethnographic museums: Changing relationships between museum and anthropology in France
title_full_unstemmed Post-ethnographic museums: Changing relationships between museum and anthropology in France
title_sort post-ethnographic museums: changing relationships between museum and anthropology in france
publisher Università degli Studi di Cagliari
series Anuac
issn 2239-625X
publishDate 2016-08-01
description The article analyses the contemporary transformations of the relationships between anthropology and museums in France in the wake of the opening in recent years of the Musée du quai Branly, the Musée des Civilisations de l'Europe et de la Méditerranée (MUCEM), and the reopening in 2015 of the Musée de l’Homme. The relationship between museums and anthropology, historically tighter in France than in other national contexts, explains the intensity of reactions triggered by these transformations. Retracing the historical transformations of ethnographic museums, and especially the ideal of the ‘museum-laboratory’, shows the enduring role of the naturalist, encyclopedic paradigm. The exhaustion of the natural history paradigm, in the Muséum National d'Histoire Naturelle in Paris as in ethnographic museums, has produced a change in the role of museums, with a shift from a museological discourse under the spell of science and rationalism to a more aesthetic and emotional approach. However, the new Musée de l'Homme embodies a revival of the naturalist and evolutionist paradigm. These new museums, which can be defined as 'post-ethnographic', have avoided a critical reflexive confrontation with history and colonial legacies. Meanwhile French anthropology is now facing the challenge of reinventing itself as a ‘post-museum anthropology’.
url https://ojs.unica.it/index.php/anuac/article/view/1979
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