THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK

This study is an analysis of three poems Thirty Eighth Year, Miss Rosie and final note to clark written by Lucille Clifton, a contemporary black American poet and writer. It intends to find out what the works articulate, showing the feminist voice. The analysis was conducted sociologically based on...

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Main Author: Emilia Tetty Harjani
Format: Article
Language:English
Published: Universitas Negeri Yogyakarta 2013-07-01
Series:Litera
Online Access:http://journal.uny.ac.id/index.php/litera/article/view/1323
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spelling doaj-38912804fe474d2198d757dc2efe8d3f2020-11-25T00:20:23ZengUniversitas Negeri YogyakartaLitera1412-25962460-81392013-07-0112011076THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARKEmilia Tetty Harjani0English Department STBA-LIA YogyakartaThis study is an analysis of three poems Thirty Eighth Year, Miss Rosie and final note to clark written by Lucille Clifton, a contemporary black American poet and writer. It intends to find out what the works articulate, showing the feminist voice. The analysis was conducted sociologically based on the selection criteria that they have the same theme as the common ground, and the data were collected through library research. The results show that the speakers of the poems articulate their consciousness of self-worth voicing basic feminist perspective against confining domestic life, white hegemonic beauty standard, and male role in black American household.http://journal.uny.ac.id/index.php/litera/article/view/1323
collection DOAJ
language English
format Article
sources DOAJ
author Emilia Tetty Harjani
spellingShingle Emilia Tetty Harjani
THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
Litera
author_facet Emilia Tetty Harjani
author_sort Emilia Tetty Harjani
title THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
title_short THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
title_full THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
title_fullStr THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
title_full_unstemmed THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
title_sort feminist voice in lucille clifton’s the thirty eighth year, miss rosie and final note to clark
publisher Universitas Negeri Yogyakarta
series Litera
issn 1412-2596
2460-8139
publishDate 2013-07-01
description This study is an analysis of three poems Thirty Eighth Year, Miss Rosie and final note to clark written by Lucille Clifton, a contemporary black American poet and writer. It intends to find out what the works articulate, showing the feminist voice. The analysis was conducted sociologically based on the selection criteria that they have the same theme as the common ground, and the data were collected through library research. The results show that the speakers of the poems articulate their consciousness of self-worth voicing basic feminist perspective against confining domestic life, white hegemonic beauty standard, and male role in black American household.
url http://journal.uny.ac.id/index.php/litera/article/view/1323
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