Rhetoric in Augustine of Hippo’s De libero arbítrio

<p>This work aims at demonstrating in which way the three books of the philosophical and theological dialogue of Augustine of Hippo, De libero arbitrio, is situated also in the scope of “Rhetoric”, or yet, grosso modo, in the scope of “discourse”.  It also becomes evident that no discourse, ph...

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Main Author: Ricardo Reali Taurisano
Format: Article
Language:English
Published: Pontifícia Universidade Católica de São Paulo 2015-04-01
Series:Teoliterária: Revista Brasileira de Literaturas e Teologias
Online Access:http://revistas.pucsp.br/index.php/teoliteraria/article/view/22951
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spelling doaj-3873e7f7ab654880b348767d442d1ec52020-11-24T23:15:26ZengPontifícia Universidade Católica de São PauloTeoliterária: Revista Brasileira de Literaturas e Teologias2236-99372015-04-0112356715655Rhetoric in Augustine of Hippo’s De libero arbítrioRicardo Reali Taurisano<p>This work aims at demonstrating in which way the three books of the philosophical and theological dialogue of Augustine of Hippo, De libero arbitrio, is situated also in the scope of “Rhetoric”, or yet, grosso modo, in the scope of “discourse”.  It also becomes evident that no discourse, philosophical or theological, can renounce the resources offered by the ars rhetorica, as claimed Plato. Neither, it can be said, the so called “religious” discourse, which sets itself in search of a Truth that is unique, far beyond the eikós. Hence, being one and another, simultaneously philosophical and religious, dialectic and theological, this work attempted to make evident that De libero arbitrio can be understood and studied as a “discourse”; not, however, in the depreciative and prejudiced sense of the term, set on by part of Plato’s work, which bequeathed a stubborn trace; but in the sense which Aristotle, Cicero and the modern scholars of the Rhetoric art ascribe to it, as a “verbal production”, production which is carefully elaborated, projected and adorned, in order to not only instruct, but also to delight and put in motion.</p><p><strong>Keywords</strong>: Augustine. Rhetoric. Discourse. Rhetoric genres. Christian Philosophy.<br /><br /></p>http://revistas.pucsp.br/index.php/teoliteraria/article/view/22951
collection DOAJ
language English
format Article
sources DOAJ
author Ricardo Reali Taurisano
spellingShingle Ricardo Reali Taurisano
Rhetoric in Augustine of Hippo’s De libero arbítrio
Teoliterária: Revista Brasileira de Literaturas e Teologias
author_facet Ricardo Reali Taurisano
author_sort Ricardo Reali Taurisano
title Rhetoric in Augustine of Hippo’s De libero arbítrio
title_short Rhetoric in Augustine of Hippo’s De libero arbítrio
title_full Rhetoric in Augustine of Hippo’s De libero arbítrio
title_fullStr Rhetoric in Augustine of Hippo’s De libero arbítrio
title_full_unstemmed Rhetoric in Augustine of Hippo’s De libero arbítrio
title_sort rhetoric in augustine of hippo’s de libero arbítrio
publisher Pontifícia Universidade Católica de São Paulo
series Teoliterária: Revista Brasileira de Literaturas e Teologias
issn 2236-9937
publishDate 2015-04-01
description <p>This work aims at demonstrating in which way the three books of the philosophical and theological dialogue of Augustine of Hippo, De libero arbitrio, is situated also in the scope of “Rhetoric”, or yet, grosso modo, in the scope of “discourse”.  It also becomes evident that no discourse, philosophical or theological, can renounce the resources offered by the ars rhetorica, as claimed Plato. Neither, it can be said, the so called “religious” discourse, which sets itself in search of a Truth that is unique, far beyond the eikós. Hence, being one and another, simultaneously philosophical and religious, dialectic and theological, this work attempted to make evident that De libero arbitrio can be understood and studied as a “discourse”; not, however, in the depreciative and prejudiced sense of the term, set on by part of Plato’s work, which bequeathed a stubborn trace; but in the sense which Aristotle, Cicero and the modern scholars of the Rhetoric art ascribe to it, as a “verbal production”, production which is carefully elaborated, projected and adorned, in order to not only instruct, but also to delight and put in motion.</p><p><strong>Keywords</strong>: Augustine. Rhetoric. Discourse. Rhetoric genres. Christian Philosophy.<br /><br /></p>
url http://revistas.pucsp.br/index.php/teoliteraria/article/view/22951
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